Putting a few bass heads together on a beat you should expect some madness. Kynetyk teams up with Reesebay and Cha boi to show you how that sounds like. Rippin’ sound bites of Frank Murphy from the cartoon F Is For Family adds a little emphasis on the overall mayhem. Packed with heavy growling bass lines between dark melodic breaks supporting Murphy’s tantrums. This follows We All Float, another track with Reesebay for a comeback. Keep an eye out for his next move Kynetyk got a sound you do not want to miss out on!
Osa North is back with his new Osa North and The Holy Spirit of God EP and he is serving up a diverse array of sounds on this one. The project kicks off with the soulful trackFree You, which serves as a sensual ode to intimacy. North’s vocals on this track are layered in such a way that they carry a sense of divinity as if he is calling down from the heavens above. The instrumental here is rhythmic yet spacious and Osa North does a brilliant job of filling in that space with his vocal delivery.
The 2nd track Debbz is a logical continuation of where Free You left off. North once again is crooning about that special someone, asking the listener if they have ever been in love. The instrumental here sounds more epic with soaring string sections and a sense of rhythmic pulse that build momentum by the end of the track. Osa North is showing more and more musicality with each project he brings to the table.
There is a drastic switch up on the third track 1900. Instead of building on the soulful airiness of the first two tracks, North comes out of left field with a menacing trap banger. The instrumental here is bleak and unforgiving while North oozes with confidence on the mic. The closing track Adesuwa is a dance hall jam reminiscent of something off of his Ginjah EP. The instrumental possesses the contagious sense of rhythm that has become a hallmark of North’s music and his vocals here are vivacious and full of color.
Even though Osa North and The Holy Spirit of God clocks in at just four tracks and eight minutes in length, North is in no rush to get to the finish line. There is an endearing sense of patience on this EP. The instrumentals have an airy, almost ethereal quality to them, and North spaces out his vocals in such a way that he is content in letting the music speak for itself. The marriage between these two elements make for another fantastic project from Osa North.
“Osa North and The Holy Spirit of God” is now available on all platforms.
When you put two dope Chicago artists together you get gold and these two got stacks of them! Kyral x Banko have been pumping out their arsenal of bass little by little and each one gets better everytime; they all sound like anthems. Their dub-plates are heavy and clean with beat patterns and hooks influenced by hip hop and trap bass. A good composition of sound to represent their city which is raw, authentic and in your face. With some heavy Colorado roots the two have been all up and down Chicago and Denver spreading some good music and good energy.
Just to highlight a few of their releases since the start of the year we have Gold released as apart of an artist compilation EP called Alchemy, a slow but energetic track building up to their drop phrase Im Gettin Paid Bitchwhere a whole bunch of frequencies on the low end hit you. Following you got Rambo by So Down who featured Kyral x Banko and Def3 for a hip hop beat to tell it how it is. Most recently the duo released Stacks on Plenum Records with a few hooks to build up to a bass drop that hits you with the high end synths low bass and wild beat patterns ready for their adrenaline hungry fans at their next events in Colorado and adding Iowa to that list too! If you cannot catch them live follow their uploads, they hit the spot every time.
Musa Reems is back with his new single entitled Dear Winter and he has taken initiative in turning back the clock on this one. Putting his own spin on the Jay-Z classic Dear Summer, Musa has added his name to the list of MC’s who have spat their game over this iconic Just Blaze produced beat. A list which includes names such as Lupe Fiasco, Lil Wayne, Young Jeezy and so many more. However instead of simply going in over the original cut of the instrumental Reems decided to breathe new life into this classic song, making it sound more current while maintaining its throwback vibe.
Producer Othellobeats took a fresh approach on here. He creates a lot of tension with how he slowly brings in the vocal sample in the beginning of the track and it really sets the stage for Musa when he comes in with his verse. Equally impressive is the way Othellobeats puts his own spin on the instrumental while simultaneously respecting what made it so great in the first place. Despite the clean, thematic feel of the intro, the beat still has the same soulful piano and vocal samples carrying the track. The only difference here is that this re-imagining of it sounds more lively. Like Othellobeats, Musa Reems does his thing on here as well.
Although the song clocks in at just 2 minutes and 18 seconds in length, Musa makes every second count on this one. His bars on here are nostalgic yet hopeful as Musa shows himself to be someone who can handle anything life throws their way. He approaches his lyrics with a staggering amount of transparency, showing that he is more than happy to own up to past mistakes. Reems’ delivery is also worthy of note here. He carries a sharp grittiness in his voice that shows the authenticity of a man truly marked by past experiences. Not phased by what anyone might think Musa Reems shows on this track that he is embracing his flaws as a human, wearing his war wounds on full display.
There is an interesting duality on Dear Winter. While the tasteful re-imagining of this song makes it sound like it could be on an upcoming project. Dear Winter still possesses enough vintage aesthetic at its core that it almost sounds like it could have been on a DJ Drama mixtape in the mid 2000’s. This duality really shows who Musa Reems is as an artist; a man who has a deep appreciation for the past while simultaneously keeping a close eye towards the future. Time will tell what Musa Reems will bring us next, but Dear Winter is surely a sign of good things to come.
Now available on all platforms.
If you think music is your drug then check out these tracks! Cofresi is back after enjoying the success of the Coda EP late last year. Started the new year off right with a video accompanied remix for the modern classic by Gotye, Somebody That I Used To Know. Cofresi’s take on the song really takes you by surprise if you think the original was overplayed, this may change your mind! Behind the scenes Cofresi continues to detail his live performances as he prepares for a long list of events for the spring calender.
Introducing a theme to the tour with the release of Keep U High, his second release and first original of the year, you will notice the tour calender matching the songs cover art. Included in his tour will be Bassphysics, who worked with Cofresi on Keep U High, and Plantrae. On other dates Cofresi supports SoDown on their own tour making it a two in one commitment; capitalizing on the opportunity to make a big thing bigger!
Similar to artists like Elevatd, Cofresi keeps most his treasures exclusively for his live audience. Sometimes he is generous to give some his online fans a taste of the exclusive but it would be best to catch him live. Following his Keep U High release with Bassphysics, Cofresh drops visuals from a live set as he plays his own version of Liquid Stranger and Space Jesus‘s collab track Dragonhawks. An surprising choice for Chicagos future bass drummer but an impressive take as can see through the crowds reaction; or even your own stank face.
Like the North star, Polaris will guide you to some real dynamic tunes! Leading you to the LWKY corner of the universe, this trio from Chicago follows the growing number of electronic dance music artists experimenting with live instruments and midi software. Jim Morrison predicted an electronic age of music where one man, the DJ or producer, was the orchestra but changing the paradigm are artists like LWKY using guitars, piano synths and midi controllers within a group.
Together they create a psychedelic future funk and bass sound similar to that in Colorado and getting popular in mid-west states. They just came out with their latest release Polaris. This comes after their very popular EP Reset and their follow up single Regenerate. It is about a journey to the top, you can hear it with its soothing to heavy sounds between climaxes and breaks; an audio metaphor. With a style quite unique to Chicago, LWKY shows us how dynamic a band can be.
Some like them more than others, some like them so much they make music about them. Bassmnt Boy likes em just enough to make a remix about them. Round2 already seems to have expressed it perfectly enough so Bassmnt Boy just took his Big Booty Bitches track and personalized it. With admiration to the original artists talent, he carefully turned a juke beat into a trap & bass anthem that does not dissapoint the original; Get any party wild and jukin’ with this beat.
Goodsex is just here to show you how good you already are and it shows! Aside from all the great puns that you and I both have running through our minds, it is important to realize the power of music and the message it can send to its listeners. This Chicago duo takes that idea an extra mile sending positive messages and high vibes to their fans in each song they put out. From their originals to their remixes, all their songs do is make you believe in love!
Their latest project comes to fruition after a simple request of their fans. From their EP With Friends Vol. 1 the duo has a song called Joy and they ask their audience to send in footage of themselves enjoying life! The end result is a music video compilation of people having the time of their lives and you just cannot help but wiggle around and smile at the expression of life and love. This follows a remix collaboration of Birthday Sex with another familiar Chicago duo Birthdayy Partyy and a remake of a classic funk pop song Reach Out Of The Darkness by Friend & Lover. Their cycle of feel good lyrics and tunes makes a great playlist for people to get together and we think that’s So Groovy. It is most admirable creating a lifestyle through music that makes others feel good regardless of who they are.
Ever Evolved MC RhymSter is back again and with a vengeance with his first release of 2019 entitled Pure Noon. This 5-track offering — which includes a bonus track at the end — sees RhymSter and producer Edmur Quinn finding their pocket by utilizing a lo-fi, nocturnal sound.
The EP kicks off with a banger Maintainin where RhymSter takes his listeners to school by flexing his lyrical muscle over a bright and soulful instrumental. However the pace of the EP immediately slows down after with I Will which manifests itself as the perfect soundtrack for a night-time drive soaked in self-reflection. The closing 2 tracks N.Y.S.M. and Wait For It follow in a similar vein before things pick back up again on the bonus track Watch Out.
Lyrically RhymSter is poignant as usual. On the more hard hitting cuts his wordplay is witty and his delivery is sharp. On the slower, more subdued tracks he is more introspective and personal. He shows himself to be a truly multi-faceted artist over the course of these five tracks. On the production side of things Edmur Quinn presents a diverse palette here while simultaneously maintaining the concise cohesiveness of the project. Tracks such as Maintainin’ and Watch Out are hard hitting boom-bap cuts while I Will and Wait For It are much more moody and lo-fi.
The features on here deliver as well. FAFA, who is featured on Wait For It, croons with sincerity over a gorgeous jazzy guitar. JaiTheArtist shows up on the back end of I Will and her vocals sound angelic floating in the background. RhymSter and Edmur Quinn kept it simple on this project. However in between RhymSter’s witty lyricism and Edmur Quinn’s diverse array of instrumentals, their formula proved to be quite effective.
If you have not heard of the refreshing girl power duo that is Mother Nature go look them up on YouTube right now. Charisma, lyricism, fun, artistic chemistry – these two have all of that. The Chicago native powerhouse duo comprised of emcees Klevah Knox and T.R.U.T.H. dropped the visual to their single Simple, which is from their upcoming 2019 EP titled Pressure. If the rest of their record is anything sonically like this first single Simple, then I think these two talents will really propel themselves forward in 2019!
The visual done by New Trash has the two ladies in black and white checkerboard pants and multi colored tops. They start off performing in front of a changing green screen with kids as their gaffers, directors, cinematographers, and lighting crew! The hook to this song is super catchy: “I do not do what you’re doing, bitch you’re simple!… I am me and you are you, bitch you’re simple!” Then the visual progresses from there with a verse and a bridge from Klevah Knox and a verse from T.R.U.T.H keeping the high energy, fun, and intensity through out. I am excited to hear and see the rest of Pressure from Mother Nature in 2019. They represent something truly positive for hip hop and their image and sound as artists is what I want to be around to write about.