Osa North Lets the Music Breath on Osa North and The Holy Spirit of God EP

Osa North is back with his new Osa North and The Holy Spirit of God EP and he is serving up a diverse array of sounds on this one. The project kicks off with the soulful trackFree You, which serves as a sensual ode to intimacy. North’s vocals on this track are layered in such a way that they carry a sense of divinity as if he is calling down from the heavens above. The instrumental here is rhythmic yet spacious and Osa North does a brilliant job of filling in that space with his vocal delivery.

The 2nd track Debbz is a logical continuation of where Free You left off. North once again is crooning about that special someone, asking the listener if they have ever been in love. The instrumental here sounds more epic with soaring string sections and a sense of rhythmic pulse that build momentum by the end of the track. Osa North is showing more and more musicality with each project he brings to the table.

There is a drastic switch up on the third track 1900. Instead of building on the soulful airiness of the first two tracks, North comes out of left field with a menacing trap banger. The instrumental here is bleak and unforgiving while North oozes with confidence on the mic. The closing track Adesuwa is a dance hall jam reminiscent of something off of his Ginjah EP. The instrumental possesses the contagious sense of rhythm that has become a hallmark of North’s music and his vocals here are vivacious and full of color.

Even though Osa North and The Holy Spirit of God clocks in at just four tracks and eight minutes in length, North is in no rush to get to the finish line. There is an endearing sense of patience on this EP. The instrumentals have an airy, almost ethereal quality to them, and North spaces out his vocals in such a way that he is content in letting the music speak for itself. The marriage between these two elements make for another fantastic project from Osa North.

“Osa North and The Holy Spirit of God” is now available on all platforms.

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Unkle Slump Recruits All Star Chicago Artists For Full Length LP

With all star golden age production from the lot of SlumpGang777 and features from some of the most prolific characters in Chicago hip hop, Unkle Slump’s You Gotta Be FKN Kidding Me hits home for fans of that thing we like to refer to as “real rap”. Thus behold the 2019 epitome, Unkle Slump recruits producers such as Father Darko, Emperor Bohe, Sage The 64th Wonder AKA LUNXCH, Cuzzin Vinny, beDOTwater AKA Orlando Coolridge, Lil Kydd?!, Chris Ruben, Chief Takinawa and Brandon Deshay. Fifteen tracks of slapping boom bap music with stabbing witty lyricism, punch-lines and catchy hooks to rap along to while bumping in the ride. His features consist of SlumpGang777 family Vagabond Maurice and Orlando Coolridge. Vagabond Maurice helps out on Heal Up while Orlando Coolridge goes in on OMG Really?! which has a music video to compliment it. He also has Tresside leader and Lucrative Records member Baskaveli on Bait ‘N. The notable Chris Crack, who is one half of Chris Spencer and has been written up on by Rolling Stone, features on Vultures. Michael Christmas and J.Arthur also make appearances on the album. My personal favorite is the aforementioned track Vultures due to the sarcasm of every line between Unkle Slump and Chris Crack. Slumps line “I’m above and beyond I watch it all from start to finish, they counting all that green, hands are looking like some spinach!” and Chris with “Them culture vultures that be riding the benches, they ain’t in the trenches, that’s the ones they be dying to mention, selling music off PayPal that was my invention!“. This is the type of song where you sit back, smoke one and chuckle to yourself as you reflect on the cynicism of every line from Slump and Crack. With every song being engineered, mixed, and mastered by Brotha Gif, the albums sonic consistency is quite impressive through out. Buttery, dusty, boom bap, snare and rim shot goodness! One of my favorite mixes was that of Heal Up ft. Vagabond Maurice. A positive uplifting hip hop track with the hook “Heal up, Heal up, and get better, it only goes up from here, it only goes up from here!“. Slump and Maurice then do a jazz skatting bit after each refrain. There is samples of birds and saxophones in the song adding to its lushness and quite poetic verses too from both of the SlumpGang777 emcees. Slumps construction of this album is cohesive, lyrically and sonically, production wise but this is not something to listen to once and move on. These types of projects slide themselves into works to be studied and come back to through out time. The tracks Hibernation, Bait ‘N, Lions, Tigers, Bears, OMG Really?!, Harpoon, Vultures, Heal Up, and Brown Sabbath are my select picks from the album and songs I’m excited to see performed live! But this whole album packs a refreshing punch. It is something we would have been blessed to study and grow up on in the 90s, but we are even more blessed that its new and to be able to call this album a 2019 release. Any fan of hip hop should love this record, in Chicago and beyond! Listen to and purchase it fully at Bandcamp.

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Musa Reems Turns Back the Clock with Dear Winter

Musa Reems is back with his new single entitled Dear Winter and he has taken initiative in turning back the clock on this one. Putting his own spin on the Jay-Z classic Dear Summer, Musa has added his name to the list of MC’s who have spat their game over this iconic Just Blaze produced beat. A list which includes names such as Lupe Fiasco, Lil Wayne, Young Jeezy and so many more. However instead of simply going in over the original cut of the instrumental Reems decided to breathe new life into this classic song, making it sound more current while maintaining its throwback vibe.

Producer Othellobeats took a fresh approach on here. He creates a lot of tension with how he slowly brings in the vocal sample in the beginning of the track and it really sets the stage for Musa when he comes in with his verse. Equally impressive is the way Othellobeats puts his own spin on the instrumental while simultaneously respecting what made it so great in the first place. Despite the clean, thematic feel of the intro, the beat still has the same soulful piano and vocal samples carrying the track. The only difference here is that this re-imagining of it sounds more lively. Like Othellobeats, Musa Reems does his thing on here as well.

Although the song clocks in at just 2 minutes and 18 seconds in length, Musa makes every second count on this one. His bars on here are nostalgic yet hopeful as Musa shows himself to be someone who can handle anything life throws their way. He approaches his lyrics with a staggering amount of transparency, showing that he is more than happy to own up to past mistakes. Reems’ delivery is also worthy of note here. He carries a sharp grittiness in his voice that shows the authenticity of a man truly marked by past experiences. Not phased by what anyone might think Musa Reems shows on this track that he is embracing his flaws as a human, wearing his war wounds on full display.

There is an interesting duality on Dear Winter. While the tasteful re-imagining of this song makes it sound like it could be on an upcoming project. Dear Winter still possesses enough vintage aesthetic at its core that it almost sounds like it could have been on a DJ Drama mixtape in the mid 2000’s. This duality really shows who Musa Reems is as an artist; a man who has a deep appreciation for the past while simultaneously keeping a close eye towards the future. Time will tell what Musa Reems will bring us next, but Dear Winter is surely a sign of good things to come.

Now available on all platforms.

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RhymSter and Edmur Quinn Capture a Nocturnal Vibe on “Pure Noon”

Ever Evolved MC RhymSter is back again and with a vengeance with his first release of 2019 entitled Pure Noon. This 5-track offering — which includes a bonus track at the end — sees RhymSter and producer Edmur Quinn finding their pocket by utilizing a lo-fi, nocturnal sound.

The EP kicks off with a banger Maintainin where RhymSter takes his listeners to school by flexing his lyrical muscle over a bright and soulful instrumental. However the pace of the EP immediately slows down after with I Will which manifests itself as the perfect soundtrack for a night-time drive soaked in self-reflection. The closing 2 tracks N.Y.S.M. and Wait For It follow in a similar vein before things pick back up again on the bonus track Watch Out.

Lyrically RhymSter is poignant as usual. On the more hard hitting cuts his wordplay is witty and his delivery is sharp. On the slower, more subdued tracks he is more introspective and personal. He shows himself to be a truly multi-faceted artist over the course of these five tracks. On the production side of things Edmur Quinn presents a diverse palette here while simultaneously maintaining the concise cohesiveness of the project. Tracks such as Maintainin’ and Watch Out are hard hitting boom-bap cuts while I Will and Wait For It are much more moody and lo-fi.

The features on here deliver as well. FAFA, who is featured on Wait For It, croons with sincerity over a gorgeous jazzy guitar. JaiTheArtist shows up on the back end of I Will and her vocals sound angelic floating in the background. RhymSter and Edmur Quinn kept it simple on this project. However in between RhymSter’s witty lyricism and Edmur Quinn’s diverse array of instrumentals, their formula proved to be quite effective.

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Mother Nature Keeps It Simple (Music Video)

If you have not heard of the refreshing girl power duo that is Mother Nature go look them up on YouTube right now. Charisma, lyricism, fun, artistic chemistry – these two have all of that. The Chicago native powerhouse duo comprised of emcees Klevah Knox and T.R.U.T.H. dropped the visual to their single Simple, which is from their upcoming 2019 EP titled Pressure. If the rest of their record is anything sonically like this first single Simple, then I think these two talents will really propel themselves forward in 2019!

The visual done by New Trash has the two ladies in black and white checkerboard pants and multi colored tops. They start off performing in front of a changing green screen with kids as their gaffers, directors, cinematographers, and lighting crew! The hook to this song is super catchy: “I do not do what you’re doing, bitch you’re simple!… I am me and you are you, bitch you’re simple!” Then the visual progresses from there with a verse and a bridge from Klevah Knox and a verse from T.R.U.T.H keeping the high energy, fun, and intensity through out. I am excited to hear and see the rest of Pressure from Mother Nature in 2019. They represent something truly positive for hip hop and their image and sound as artists is what I want to be around to write about.

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Rich Jones No Clue (Music Video)

Well if you missed it the first time it is back around and you get the visual sensation of it too. Others may get to reminisce their initial response to this track but whether it is heard it now or then, it is timeless. No Clue featuring Mykele Deville comes back on the radar as Rich Jones releases a nonchalant music video for this laid back track. Strolling around being natural not thinking bout next year or even next week with No clue how happy to be. This work follows his The Shoulder To Lean On EP and Dangerous/Rainy Days releases that are just as replay-able with their infectious hip hop, R&B, Rock & Soul vibe that can hit any listeners ears in the right spot. Get in tune.

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Marko Stat$ Will Never Be A Robot

“You a cyborg. You should open up your eyes more, is this what you wanna die for, tell me what I gotta lie for?” Marko Stat$ shouts over a beat by Aced Spade. “What is your origin you probably a clone stuck on your phone”, he continues to berate the mindless as he takes aim at the age of information asking, what do we think about it? His latest release Never Be A Robot was in late November but it is infinitely relevant as he calls out social media obsessions while he avoids being apart of the matrix or a plot as much as he can focusing on his craft. Chicago takes notices too as he ends out the 2018 year with a headlining performance at Emporium in Wicker Park, marking the most live performances for him in a single year. Following an album, music video and a freestyle release, Stat$ definitely has our ears anticipating new work in this new year.

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RhymSter Picks It Up! (Music Video)

Coming back around following his last visual Maintainin’, RhymSter is doing just that with more releases and music videos. Working again with Lonnie Edwards, getting more and more creative with his animations matching RhymSters lyricism. A provocative introduction to start off as the lyrics slowly pick up to a beat drop, the whole project from the beat, lyrics and visuals keeps you fixed the whole way through. Henrik3000 from Germany always follows through with raw production that compliments RhymSters style.

Keeping it going he brings it back to the real world and inside the studio. This time working with videographer and hip hop emcee Mike Booth on the camera catchin’ RhymSter in his natural environment. Under the dim colorful lighting, in the booth and at center console he spits his freestyle; somethin he is well known for on the mic in the underground Chicago hip hop scene. As he shows off his skill and studio aesthetic at Ever Evolved, take this as an invite to work with and at the headquarters with this young emcee and the crew. Expect more projects like these to drop soon!

Rhymster | Twitter | Soundcloud | Facebook | Instagram

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Bombay Boyz Turn Up the Lyrical Heat on Pop Off

Witty lyricism, an atmospheric trap beat and a catchy hook. This is the recipe that Chicago Hip-Hop duo Bombay Boyz went for when they teamed up for their brand new single Pop Off which is the first single from their upcoming Jedi East project slated to drop this summer. The beat, which is produced by CT, has an airy and atmospheric vibe. Minimalistic and stripped back, CT does a brilliant job of setting the stage for the MC’s to drop lyrical bombs.

Harrison Maxwell handles the hook on this track and much like the instrumental, it is effective in its simplicity. Catchy and to-the-point, it helps make Pop Off a straight banger; meaning it is the perfect turn-up song to blow the house down at shows. While the beat and hook are effective in their simplicity, the verses are where everything gets turned up a notch. Maxwell and his counterpart Eric Wilhelm leave everything on the table. WRDS even drops by for a feature showing he is every bit as capable on the mic.

In spite of the modern trap feel of the instrumental the way these three MC’s try to one-up each other gives this song a bit of an old school feel. The lyrics here are braggadocios yet all parties involved have the lyrical mastery to back up their boasts. In its essence, this song gets back to what Hip-Hop is at its core; rappers simply throwing on a beat and putting their artistic lives on the line in the fight for lyrical supremacy. Pop Off shows that Bombay Boyz already possess a skill that most artists do not have; their able to craft a song that can rock the party while simultaneously winning over the respect of old heads and traditionalists with complex lyricism and double-time flows.

This duality has always been rare in Hip-Hop, however, Bombay Boyz make it look easy on this track. Not that this should surprise anybody but if Pop Off is any indication, expectations will definitely be high for their upcoming Jedi East project. This should not be a problem for Bombay Boyz due to how effortless they make it look on this new single.

“Pop Off” is now available on Soundcloud, and will be available on all platforms in the coming days.

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BeatrixKiddo Whips Out A Stogie (Music Video)

Applying the name after Kill Bills’ main yellow leather jacketed protagonist, from Chicago Beatrix Kiddo is in the streets just killin’ beats with her latest visual release for her single Stogie, produced by BKR & Josh Petruccio. With lyrics like “Got big grams coming, gotta kick it with the hustle, I’m a big ass bitch I don’t need the fuckin muscle“, you already know she got a tongue as sharp as a swords blade! CVO Films behind the camera as Kiddo sits like a boss with some hitters at her side, always sportin some unique and obscure lens glaring back at you. Nothing off put or out of place this is her natural environment, “Lighting a stogie blunt… middle fingers up not giving a single F*ck”.

BeatrixKiddo | Soundcloud | Instagram

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