Throwback Thursday: BeatrixKiddo and TechStyles Pen A Heartfelt Memoir in Emily

BeatrixKiddo and TechStyles released a quite personal song over one of the most famous Mac Miller records ever put out, BEST DAY EVER. That was a gutsy but ultimately good decision. If you are going to pay homage as well as speak about personal memories and tribulations that you have overcome, why not trying your hands at an instrumental from one of the late greats? The name of the track is EMILY, which is BeatrixKiddo’s real first name. 

TechStyles starts out a with a verse focusing on BeatrixKiddo and her struggle with depression and how he views her strength amidst her tribulations. “I made a lot friends, families, and enemies, but I never met someone, quite like Emily!” The ending to his verse leads into BeatrixKiddo’s 32 bars about her battle with loneliness, her ex partner and wanting to give her daughter the best life she can. “Never thought I would end up, holding my bags, at the front door, reminiscing every day, having all these flashbacks.

The loss of someone via breakup is always a painfully ripping emotion that will tear anyone apart. The will to then creatively express yourself about that experience can even be harder. BeatrixKiddo does not hold anything back about the relationship that gave her a daughter and also influenced her to rap and pursue her craft and career. Even through all the hate she receives and the people that do not think she should be rapping, she does it anyway. For herself first and if it spites others, so be it. This is her life to live and lead, no one else’s. Personal and painful music can be the most difficult to put out into the world, for this we recognize and respect!

BeatrixKiddo | Soundcloud Instagram

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Säge the 64th Wonder Never Left, You Weren’t Paying Attention

When ge The 64th Wonder aka Seji,aka Shintendo is seemingly quiet in the rap/hip hop scene in terms of music, in actuality he never stopped releasing, producing and creating content. Namely his commissions of his unique animated art style that the Chicago scene and beyond cannot quite get enough of. It feels as though when ge gets bored or anxious, as all genius multi talented artists do, he jumps back into the rap arena and shows why he is been a staple of Chicago hip hop since 2012. But he was making waves even two years prior to that because of his skill and technicality off the jump and having a team of emcees and artists surrounding him, if you remember The Terra Godz.

You cannot cast Säge as just indie, hip hop, nerd core or anime rap. He is so much more than that considering he actually embodies a large part of the East Asian culture being a visual artist himself. He clearly studies and consumes the culture to a high degree. He is a fusion of a lot of things that really get fleshed out if you can actually go through his entire catalog. Säge has gone through numerous re-brandings and some classics that might not be available to listen to right now. Do not fret however since he is re-releasing some oldies quite soon as well as an album of brand new music in February.

Until then ponder, soak and absorb this. “Damn, will they ever play me for the masses?” Asks ge to an alternate version of himself, something like a conscience which in turn responds (using a higher shifted pitched voice) “Even if they don’t, I still feel you make the classics, still think you’re greater than the greatest in this rap shit, is that a question you’re asking? We’re passed this, Just pass this blunt.” Säge the 64th Wonder, the flagship leader of SlumpGang777, will have some amazing pieces to look forward to in 2020.

ge, The 64th Wonder | Soundcloud | Twitter | Facebook | Instagram

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I Ain’t Going: Dat Bizness Is Back With Authentic Hip Hop Style

The visual to this record has to be one of the most touching music video intros you have seen. Dat Bizness shows off his family, unafraid of presenting himself as a father, a proud black man who provides for and loves his family. He is even matching with his youngest son, AJ.

There is a lot of negativity perpetuated as a form of self expression from the experiences that young black men go through coming up in Chicago. Dat Bizness takes these experiences and flips a lyrically positive spin. He still makes it clear these are very real times to be alive and negative things are still obviously going on. With the main phrase and theme of the record being I AIN’T GOING, there is much about the surroundings and lifestyles of Chicago that Dat Bizness is rightfully against.

I AIN’T GOING presents lines that pierce the emotions and thoughts of the listener like, “Black girls going missing, times real!.. White man pulling me over while I’m behind the wheel, but I ain’t dying today, that’s what my mind wills!” Followed by “Grew up with the gods but the devils call us n***as, either or, even odds!.. Jo, this is top shelf from the basement though, this that smoking blunts in staircases flow, scarred faces, stressed thoughts, broke dreams, turn some to kings and queens, turn some to dope fiends!” Dat Bizness has been in the Chicago hip hop community for a while now but this new record and visual is elevating him quickly; reminding the rest of us to focus on the craft and the pen game first.

Dat Bizness | Youtube | Facebook

Video & Header Photo: Johnny Garcia

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Chore Boy and Brad Kemp “Nosce” ft. CantBuyDeem (Music Video)

Chore Boy and Brad Kemp recently dropped the visual to the hit single NOSCE featuring CantBuyDeem, on their LP “STORIES YOU CAN TELL YOURSELF“. This music video, directed by Patric Coakley, is a simple but brilliant visual expression of the three rap verse song, including sound bites from what you can only postulate is Alan Watts since the timber of the voice in the audio is a popular archaic tone. Chore Boy and CantBuyDeem give so much wittiness throughout.

Chore Boy starts off with a fast tight flow and high technical skill “They just like me for the weed, they don’t like me for the rapping!” Later in the same first verse, “I leave my lid open like some stale chips and I skate by like a stale fish, you on stalemate while I nail shit, whats an earthling to an alien!” Chore Boy takes the first and last verse, giving CantBuyDeem the middle. That was only a taste of the wit Chore Boy co. has on this one record.

CantBuyDeem starts off with this line that will make you laugh everytime, “I put in 5 brought back 10, that shit felt like MAGIC!.. Hear a lot of boss talk, but they got no sauce, gotta put the packet in the ramen at the right time!” Followed up by, “Jumped off the porch like a skydive, I be smoking spliffs feeling like I’m in the ozone, standing round a room full of squares trying to phone home, trap phone, cell phone, main phone, same phone no ringtone but that bitch stay buzzin!” Can’tBuyDeem per usual, drops a verse thick and rich in humor, style and banter. His first line is significant because, think about the idea of being an entrepreneur that can flip a product and how it is like literal magic. In CantBuyDeem’s case, he puts that work in as a recording artist and gets more back. Basic simple math having to do with a sonic return on investment.

Chore Boy’s third and final verse has more density packed into it! “Took a D.A.R.E. class, but my dawg double dared me, talk isn’t scary, everyone who’s watching went from awestruck to wary. And they be taping everything like caution so carefully, I’m lost in the sauce but I’m found at the scene!” His little play on drugs and crime is interesting, it seems to be an ode to the 90s public school war on drug culture, as well as metaphors for his mind and acumen when it comes to rapping.

Brad Kemp’s production and engineering is top notch as always and really helps brush out the flavor of the recording artists he works with. We are all for more Chore Boy x CantBuyDeem records! Hip hop such as this record and visual are vital to the life line of the culture. If you can get anyone to bump, dance and think. Well then you have done your part.

Choreboy | Soundcloud | Twitter | Facebook | Instagram

CantBuyDeem | Soundcloud | Twitter | Facebook | Instagram | Youtube

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Throwback Thursday: Igor Stravinsky’s “Symphony In C” Premieres in Chicago.

Today in 1940 on the 7th of November Igor Stravinsky had his famous SYMPHONY IN C premiered by the Chicago Symphony Orchestra at Orchestra Hall.

Igor Stravinsky, born June 18th 1882 in Oranienbaum, Russia and died on April 6th, 1971 New York City. Stravinsky’s recognition first arrived because of his ballet scores such as PETRUSHKA, THE FIREBIRD and RITE OF SPRING. But in 1920 he took up composing orchestras, namely “SYMPHONIES OF WIND INSTRUMENTS” and was later commissioned (reportedly $2,500) by Mr. and Mrs. Robert Woods Bliss and Mr. John Alden Carpenter to commemorate the 50th anniversary of the Chicago Symphony Orchestra during the 1940-41 season.

SYMPHONY IN C consists of three flutes and a piccolo, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones and tuba, timpani, and strings. Performance time is approximately twenty-eight minutes. During the time of its composition Stravinsky went through the most horrific times of his life. His daughter Ludmilla passed away from Tuberculosis, his wife Catherine and his mother also passed on from tuberculosis within three months that same year. To say that SYMPHONY IN C was the only thing keeping Igor Stravinsky alive and composing during that period, is no exaggeration.

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MoneyCantBuyU: CantBuyDeem’s 2 Year Showcase Anniversary

CantBuyDeem wrapped up two years of throwing showcases for the hip hop community at Cole’s Bar in Chicago’s Logan Square neighborhood just last Saturday. He booked Ever Evolved contemporary J-Bose who began the night with a live 3 song set from his debut LP SNOWFLAKE (streaming everywhere, highly recommend). After J-Bose we got a few joints from CantBuyDeem, one from his LP CHILI that he dropped in May of this year, OPTIONS and a newer track called “PAYMETHO“.

CantBuyDeem booked a high energy trio straight out of Elgin, Illinois called Watch City. They brought an amazing live performance and it is recommend to check out their music and social medias. One of their emcees Angrous does a weekly song release and performance via his Facebook and Instagram. CantBuyDeem’s two year anniversary show saw Dre Skeezus on the 1’s and 2’s. Skeezus is also producing a mix tape for CantBuyDeem coming soon. The songstress Laje and a performance from Cado San and more!

Congratulations to CantBuyDeem for continuing to show out and support the Chicago hip hop scene with his generous curation. We look forward to more endeavors out of the MoneyCantBuyU camp!

CantBuyDeem | Soundcloud | Twitter | Facebook | Instagram | Youtube

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Throwback Thursday: Essse’s Constellations Music Video

Essse Guey is Ever Evolved’s ace in the hole when it comes to recording artists. Not only having a dope unique sound and style, but also an image that is perfect for the contemporary hip hop climate. Which brings me to an underrated Essse visual produced by Brandon Holmes to the song “CONSTELLATIONS”. The lines would constantly repeat in your heard. “Dark side of the moon I’m sipping 3 Floyd’s, space station middle finger up for the polaroid!” This line has quite a few meanings that could be extrapolated but I just love the sly double reference to Pink Floyd and the staple Indy craft brewing beer that’s famously sold throughout the Midwest.

Essse Guey has been diligently working on a few projects that are on his horizons, until then become familiar with Essse’s CONSTELLATIONS. His Chicago recording artist and rapper is as explosive on wax, as he is on stage, as he is on screen. “99 problems we be rolling up a matrix!

Essse | Soundcloud | Facebook | Twitter | Instagram

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Artist of the Week: Chore Boy

A few weeks ago many artists in the Chicago hip hop scene sent Chore Boy off in style onto new career horizons as he goes city hopping for the better half of a year. While we are sad to see him go, we are also quite excited to see what he will do with his time outside Chicago. Danny Rahrig aka Chore Boy is artist of the week due to his outstanding productivity and output of music. We recognize his drive, vision and consistency as staple qualities of the kind of artist we like to push!

Earlier this year In January, Chore Boy dropped the LP EXORDIUM, fully produced by Brad Kemp, featuring Fashawn, Vagabond Maurice, MoeCyrus formerly known as Unkle Slump, M.Whise The Shogun, OG Denzo and more. He then dropped a single in February, another Brad Kemp production featuring Elly Tier of White Ppl  and Beloved Gang’s Matthew Payne. In May he released a remix of one of his EXORDIUM tracks featuring Orlando Coolridge and MfnMelo. Then in June, Chore Boy he had released STORIES YOU CAN TELL YOURSELF, fully produced by Brad Kemp featuring CantBuyDeem, Femdot, Zombie Manana, TomCat Trumpet and other Chicago standouts!

Last week Chore Boy released STILL LOCAL featuring Kasean and OG Denzo. This week he dropped NERO an EP produced by Rice Master Yen, a german born boom bap producer, featuring Orlando Coolridge on two joints. We also have undisclosed word of another Chore Boy and Brad Kemp album as well as a second Rice Master Yen EP coming out before 2019 is over. Besides his own output he was featured on Super King Reza’s album MOSEY, Handsome Naked’s album “DOORS“, and CantBuyDeem’s single FAKE, featuring Cado San. That is an insanely high level of productivity, more than well deserving of an artist of the week slot on Ever Evolved. 

His most recent recorded project NERO is four track ep with two of the records toting verses from Orlando Coolridge on “TUCK EVERLASTING” and “PEPITAS“. “Thats just how it be sometimes” rings true on the second record over an eerie alien like instrumental having to do with seeing ghosts and battling demons. Possibly sleep paralysis too! “PEPITAS” is a sarcastic and witty boom bap rap track with a beautiful harp melody in the instrumental. Coolridge drops his second verse ending the whole song with “You come at me with the work well I’ll be laying you off, gone!” Chore Boy wraps up the extended playlist with “ACTRESS” where he plays with the word ‘act‘ in a string of rhymes having to do with a strained relationship. This leads into a short hook “Its far from over”…ending the ep with on an ere of wanting more raps, cuts, chops, and thick features from one of the hardest working and most productive emcees in the game, Chore Boy. 

Rest assured, this will not be the last you hear about Chore Boy in 2019, and 2020 is shaping up to look like another explosive year for him. 

Choreboy | Soundcloud | Twitter | Facebook | Instagram

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Big Week for Fluffy Gang with Double Release.

Eve and Queen Latifah. Two queens of hip hop that this week Ever Evolved’s own lovely queen and rap goddess remixed to her own liking. JaiTheArtist is doing a series of releases called Fluffy Fridaze, in preparation for her upcoming debut album FLUFF’S PLAYGROUND, where she remixes iconic hip hop songs with her own Fluffy flavor. Last night, she dropped her version of Queen Latifah’s U.N.I.T.Y., telling a lot of truth about the landscape of the neighborhood where she is from. The lack of community and togetherness that she observes in Chicago. Rocking lines like, “We rocking bulletproof vests for fucking fashion now?, Talking shit on the gram, but can’t cash it out?” She lets it known what aspects of the current culture she doesn’t appreciate or condone.

Earlier this week JaiTheArtist also dropped a remix to Eve’s famous “LET ME BLOW YA MIND” featuring the semi-masculine pop starlet Gwen Stefani. Jai’s version for Fluffy Fridaze takes a bit more of an aggressive approach, expressing her femininity while also reminding the listener that she also competes with the big names in the hip hop. Utilizing lines like, “I don’t need to be entertained, your mumble rap inhumane. I talk my shit go insane, I spit this shit off the brain like… This shit is building like a tumor, Ima have to spill it like a bitch with a ruger.” Line for line our Rap Queen JaiTheArtist bars out and proves how she is creating herself as a staple of Chicago hip hop.

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BeatrixKiddo’s WTD Freestyle

Going over a classic Dre beat that once held Eminem and Xzibit, BeatrixKiddo‘s latest freestyle features her shocking smack talk over boom bap goodness. Besides emulating classic flows she puts her own sauce over the instrumental hitting these midwest chopper pockets at the end of certain bars. It has been incredible to see her growth as an artist over the past year and this latest cut is proof of her skills as an emcee holding it down in an industry largely dominated by men.

I’m the rock n roll loving, funny, sexy, little muffin. Flirty, touching, bitching, loving, take you back with the repercussions!” Kiddo has a couple of lyrics that stand out. “Every single hating bitch gonna see that I’m something. I’m a mother, I’m a sister, I’m a cousin. I’m the sick bitch doing the coughing all these little rappers bring the robotussin.” These string of rhymes aren’t even her fastest on the record. You have to listen to the whole freestyle to catch all her dope chops. But her flow rides the beat perfectly, BeatrixKiddo continues to impress!

BeatrixKiddo | Soundcloud Instagram

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