DILF; if one has to explain the acronym behind DILF then perhaps you should not even be reading an article about a prolific Chicago emcee by the name of CantBuyDeem. “Life’s too full I shouldn’t be hungry.” “Truth is, I was homeless the day I found out I’d have my shorty two years later had a Jag with the emblem.” These lyrics of the intro track POPS feat. Jae Haze stuck out the most. The idea of rags to riches, and how CantBuyDeem is flipping fatherhood into more of an attractive endeavor than most might think.
“Been a ‘pops’ for 14 years and still got that work!;” raps Jae Haze, reminding listeners of his crowning and longevity in being a father. Celebrating fatherhood is something clearly lacking in all musical forms, not just hip hop. CantBuyDeem taking this approach is swinging home runs far past left field. The next track on the collaboration LP by CantBuyDeem and DJ Skoli is ON BRO featuring Rank Jenson. A catchy, hype song about the respect and recognition, that goes along with building yourself up as a man and a business. CantBuyDeem references all of the different individuals and things he can promise his word, and that is on bro.
Track 3 is a skit, and features a voice over snippet from CantBuyDeem’s daughter talking about him being the smelliest dad in the whole wide world. Its quite the funny and poignant hip hop skit to go along with the theme of fatherhood. His skit placement fits perfectly and the structure of this record already is impeccable with its pacing. DJ Skoli’s production and engineering is on point; hearing CantBuyDeem’s voice and sound be so crispy on the record is really enjoyable!
Track 4 is Lil Goofy leading into another skit called Goofy. The song is a rolling bass filled beat with lil goofy repeated after every line referencing classic goofy behavior from certain shady and extra individuals. CantBuyDeem’s usage and wordplay with Chicago street language never ceases to amaze with his creativity and ability to inject layers of flavor into his song structures and hooks. A music video to LIL GOOFY by CantBuyDeem recently dropped on YouTube!
If you are a CantBuyDeem fan, then you are familiar that he is a native to the Englewood neighborhood of Chicago, Illinois. In this track 6, he honors his roots and influences being an Englewood baby with a string of lines all referencing different situations of his upbringing and lifestyle. “Englewood baby I’m fucking gorgeous,” rings out to end the record before another soundbite of his daughter cuts in.
Track 7 is a crazy sounding computerized instrumental with CantBuyDeem absolutely assaulting the beat with his memorable punchlines.”That booty blush when daddy spank,” to “if I want it you know ima get it, if I say I want it, I already got it!” There is something about this record that reminds one of prime time Carter albums by Lil Wayne. DILF definitely is a notable heavy weight entry into the CantBuyDeem catalog.
The last two records on the DILF LP are JOYSTICK and PUFFY Remix, both of which feature André “Ohni” Duvall. These two ending tracks are a little different in sonic vibes and production than the previous 7 records and offer a more relaxed, surprising ending to the album by CantBuyDeem. The collaborative LP put out by CantBuyDeem and DJ Skoli is the latest of an ever growing super catalog by the Chicago artists. If you are into Chicago music, DILF needs to be high on your playlist of Chicago albums this summer.
A part of Curtis Foster’s catalog might have been removed due to Spotify’s bogus purge, but that has not stopped the talented Chicago emcee and recording artist from re-working his tracks to create an even better musical product! June 25th Curtis Foster drops his INNERTIA record on all streaming platforms. It makes for a great summer project including a heavy weight feature from Wrekonize of Strange Music. “Innertia EP” also features artists Nicolette Marasa and Konsept the Emcee.
The intro track is a pretty soulful sampled record with a lady’s voice explaining the definition of the term “Innertia”, a wonderful beginning to the project. Track 2 begins Curtis Foster’s reign of showmanship, melody writing, wordplay, and technical skill. His skill and songwriting throughout is incredibly impressive, channeling the greatest of emcees when it comes to speed, rhythm, poetics. Tech N9ne, Eminem, NF come to mind, mainly when thinking of Curtis Foster, and that is of the highest regard for the work put into his craft.
In track 2, WHERE YOU BEEN, Curtis Foster details his slight MIA from the industry and dropping music, now he is back and rolling on all cylinders. “Is you still making music? or that shit come to an end, guess I got some gaps to fill, let me get my pen!” The memorability of the hook will absolutely have you chanting along by its second refrain. Curtis Foster recruits heavy hitter Strange Music signee Wrekonize for his track 3 of Innertia, SO HIGH. This song is a groove for fans of the technical styles and spitters. The overall theme of the track has to do with hitting lows in your life, that stay as motivation, to keep one on a continued path towards success. No one wants to go back to feeling like they did at some of the lowest points in their lives, Curtis Foster and Wrekonize paint that picture perfectly with their speeds and lyricism.
MISS ME (WITH THAT) is a unique tune featuring an uptempo sing-rap verse to start the song into the refrain, which is shared by Nicolette Marasa and Curtis Foster. This song is another great example of having music that can be easily gravitated to by new crowds and audiences. This record includes amazing guitar playing which is also featured on some of the other tracks on INNERTIA, presumably being strummed by Curtis himself. The electric rock guitar sound really adds a sonic thickness to the project that is enjoyable.
IDK is a dope lyrical song including a Jimmy Eat World or Smashing Pumpkins style hook and pre chorus. Throughout the project Curtis Foster seamlessly combines rock hooks with uptempo midwest chopping verses. The combination seems to touch on my favorite aspects of fast rappers records and the rock music from the late 80s and early 90s. In INNERTIA you will hear the Tech N9ne influences as well as the grunge/industrial rock of those eras.
The next notable track that stood out to me was the feature with prolific Chicago rapper, Konsept the Emcee. Curtis Foster and Konsept the Emcee lend this instrumental sizzling bars that will stick with any hip hop head. “How come everybody thinks they know me like an ICON, my GOD, y’all stuck in the past like an iPOD, you missing the picture you better go get the NIKON!” The chopping of the consonants with that line along with its implications gets you; an impeccable rhythm and timing with Curtis Foster’s verse on that song. “Cropped out the picture, since n***as trying to frame shit, i pulled you out the jam and you jumped back into the same pit, the devils in the details, that’s why I go insane, its murder in all degrees, I show you how hot the flame gets!” Konsept the Emcee’s verse will rupture your mind with its lyrical acumen and layered meanings, Konsept the Emcee doesn’t cease to impress on other rappers’ records when recruited for features!
Curtis Foster ends his Innertia project with NARCOLEPTICS‘ an anthem for haters and sleepers on his music. This song should definitely resonate with the underrated, hungry, hard working recording artists and rappers. “Who am I, you don’t know?! Quit sleeping on me like NARCOLEPTICS!” Curtis can also scream, yell and sing quite well on the record, which was reminiscent of Kurt Cobain, Fuel, and Hollywood Undead. This whole project is teeming with influences spanning many different eras and styles of rock and rap. If you are a fan of either hip hop or rock strictly for its musicality, it is really hard to not appreciate, like and smile when bumping some Curtis Foster. There is a little bit of everything on this record.
Sports and music are heavily intertwined mediums that permeate the fabric of our modern world. Specifically, basketball and hip hop appear to have a more intimate connection than most. In Chicago, we at Ever Evolved have put together a compilation record for your summer listening pleasure called, LEAGUE CHAMPS. A lot of us hit road blocks in our athletic endeavors but now when it comes to Chicago music and beyond, we are the championship team. Ever Evolved and its affiliates have been pushing the forefront of the independent music market for years now. And it is all led up to moments like these, becoming the League Champs.
Fully produced, recorded, engineered and mastered completely in house; much done by the co-founder head engineer RhymSter himself, LEAGUE CHAMPS is a 26 track LP, including a documentary, skits and more special content soon to come, that will surely pique your interest in one facet or another. LEAGUE CHAMPS includes appearances from RhymSter, Keem Singing, Hayward, Ivan L, BeatrixKiddo, CantBuyDeem, C-Mac, Ben Rose, Nate Broskii, Kidd of OTKST Society, Essse, Orlando Coolridge, DJ Hunt, DJ Curt Henny, JaiTheArtist, J-Bose, and William Bolanos.
Track 1 is an introductory record with a sports-like announcer voice over done by William Bolanos promoting the album of LEAGUE CHAMPS. A well done rendition of that vocal style for announcements. Track 2 is HANG UP, which features a voice over from DJ Curt Henny about a situation where someone is getting sent off at the studio. A typical Chicago type of scenario. “Why’d you hang up on me?” And “You didn’t text me back!” are said repeatedly over a dope instrumental containing a sample of a female singer.
BABY LEG is track 3 on the LP, it is a collaboration between CantBuyDeem and Rhymster, with CantBuyDeem on the hook, and then they split two verses. BABY LEG is a vibey track with strong lyrics from the two Chicago rappers. Essse and Keem Singing composed a surprisingly beautiful melody in GO CRAZY track 4 with the refrain lyrics reading, “Baby, can you fly away with me? Maybe, cause we not the same, we go crazy, every night and day my head crazy, but I’ll be OK!!” Track 5 is a Ben Rose production, INCOMPLETE, another surprise on LEAGUE CHAMPS is that you will hear sophisticated, and banging, heavy metal music!
Track 6 is a BeatrixKiddo song called ITS A VIBE, you never heard energy from her like this before on previous kiddo beats, and it is a favoritefrom her so far! Track 7 Interlude 2 is the 1st intermission of the LP featuring another VO from William Bolanos, and the artists who were on the first few records screaming shouts of joy in the background. Track 8 is a trifecta collabos between RhymSter, JaiTheArtist, C-Mac, and Keem Singing. “It’s the way your body moves when the songs on,” sings Jai, with Keem coming in with a complimentary “Shake it for me, shake it for me” and a guest verse in the latter half of the track by RhymSter, referencing Phoenix Suns, Devin Booker, Santana, Dusk Till Dawn, Salma Hayek, Desperados, and Missy Elliot all in one verse.
The next track cuts in immediately with lyrics from RhymSter saying “I made a milli by lunch, life can be great when you live how you want.” A nice lyrical chop by Rhymster on track 8, LUNCH BREAK, with JaiTheArtist bringing in a solid verse as well. SMELLING LIKE THE UNIVERSE, is another strong collab, featuring C-Mac, Cockykidd, Rhymster, and company. The C-Mac line, “You cant have a life if you not really living,” stands out as the main theme from this record. ESTRELLA is definitely a favorite from League Champs, a house record produced by Orlando Coolridge, featuring lovely ambient vocals from Keem Singing. J-Bose comes in on track 11 GET THE DUCK OUT, a superfluous record with amazing chopping and vocal inflection from the Busta Rhymes, Busdriver-like rapper singer. This track has insane energy and flow, highly recommended.
APOLLO is a powerhouse, 2 rapper collabos between Hayward of B.B.E. and RhymSter of Ever Evolved. You will want to bump this track for the hard lyrics, paired with the flow and the beat. A hype song live as well! Next on the super LP is another Ben Rose production, SABRETOOTH TIGER, which reminds a lot of Dragonforce’s, THROUGH THE FIRE AND FLAMES, speed and instrumentation. CantBuyDeem featuring Essse show up with another record in KEEP A WHISTLE. A really fun, incredibly catchy tune with memorable lyrics from the Chicago heavyweights. CantBuyDeem references queso, pesos, cucumber in the water, no Faygo, in the beginning of the record, and that string of lines hits so hard.
BESOS is the next track on League Champs which is a progressive house record with a high pitched vocal sample that only a few might recognize. MY ENTOURAGE flips the famous Eminem and D12 MY BAND melody brilliantly, with Keem Singing at the helm of that record. LAY UP is a strong collab between CantBuyDeem and BeatrixKiddo, who make multiple appearances on League Champs! A major part of League Champs is the Chicago to South Florida connection, thanks to Ivan L Rhymes Well. This record DIS MY SONG features impeccable verses from Rhymster and Ivan L with a flawless hook from Keem Singing. A video is out to this now on YouTube shot by Hayward of B.B.E.
SKIP A BEAT is another super collab on League Champs between CantBuyDeem and Keem Singing. Hayward shot the video to this joint as well, while the Ever Evolved family traveled to South Florida for shows earlier this year. PAIN OR PLEASURE is a Ben Rose production featuring vocals for Essse, who also doubles as a versatile rock and heavy metal vocalist, incredible song. REPEAT begins hilariously as you can hear Hayward continually tell CantBuyDeem to do the hook on the record. A bumping track that will surely have you giggling from hilarity. The theme of REPEAT has to do with the repetition of the rapper lifestyle, to keep it from becoming monotonous we must make dope tracks about it.
BOOTY CALL ends the LP with a low bass voice over on a house record that will have you dancing and vibing out wherever you are listening to it. DJ Hunt has a special extra exclusive mix attached to League Champs Vol. 1 as well, look out for that during the related content campaigns surrounding League Champs. In the last interlude, William Bolanos explains that there will be a billboard on Cermak and Racine, with all the colorful bobble head characters part of the Leauge Champs compilation record. This was done by graphic designer and artist Amanda MacMillan.
Are there any other independent recording artists that put themselves on a billboard in their own city? It is a special one, and it is encouraged everyone reading this to go see it when it is up and completed. Ever Evolved continues to push the envelope in the indie music market based in Chicago Illinois. Chicago is notorious for negativity and hatred in the hip hop scene and culture, but that is disproven over and over again by the collective of Ever Evolved and all its affiliates. Independent people, creating a true civilian based entertainment industry.
Walking into the auxiliary arts center off of Belmont and Sacramento, immediately introduced to Young Baca of BACA Productions along with his right hand colleague Sushi of 498TheFam. They introduced a trove of traveling recording artists, including LA up and comers Kasey Allen Yale, RohblezThe One, Slum The Resident, Young Kasper and more! These LA cats all surprised, being wildly different with each set. The hip hop they all delivered was not the hip hop that was anticipated, and was a blessing to hear.
Kasey Allen Yale genre fuses pop-emo rock, like Fallout Boy and Cute Is What We Aim For, with contemporary beats, solid rapping, and new wave production. An incredibly entertaining blend; he is himself, and for that his hip hop cuts and shines through. Rohblez The One is a super technical chopper, that seems to fit more words than one has heard before in a track. Extremely impressive and he pulls no punches about the laziness and lack of masculinity in younger generations. Slum The Resident probably has the most realistic and accurate gangster/drug selling bars you can ever heard. Reminiscent of Young Jeezy, Pusha T, Jay Z, Lil Bibby, YG; his lines were so splittingly true, and reminiscent of a harsh hustling lifestyle. Kasper was a hype, chop rapper, with a great grasp on crowd involving hooks and chants. His style is similar to rappers coming out of the Strange Music and T.D.E camp.
There were even more amazing performances by other artists being represented by BACA Productions, but these 4 gentlemen’s sets stood out. Kudos to every performer that night, because there is nothing easy or simple about traveling to different places, putting yourself out there, being vulnerable on the mic and sharing your story. Everyone in BACA Productions brought to Chicago did just that. They spread their narrative and did it through the mutual love of hip hop music.
Getting to know the strategy behind BACA Productions was enlightening. They have shows and residencies nightly in LA and every 5 weeks they travel to a different city and host an event. After two days in Chicago; Baca and company were due to land in LAX again that Sunday May 30th, every move posted to IG, inferring that the wheel does not stop. And for the recording artists of BACA Productions, it really does not, they proved it that Friday night at a DIY spot in Chicago Illinois. The machine never stops for Young Baca and that is a key to success. Unparalleled consistency.
If you are a recording artist and reading this right now, reach out to BACA Productions when you decide to perform in LA, it could be the best decision you make.
Novatore recruits Californian-Bay Area rapper G-Mo Skee for MASK UP, a hard hitting boom bap track with piercing mandolins, or sitars, which gives it that Asian influenced, Wu Tang vibe. A 5/5 in terms of production, lyricism, theme and overall feeling. Novatore hits this wicked flow with, “I’ve been maneuvering, getting through to the root of them, who would knew I’d get through to them, who’s the brutalist hoodlums?!” Later in his verse he also drops lines such as “Been called a skinny fag, never been a lumberjack, but one punch convert a back packer into mumble rap!” Novatore is known for piercingly hardcore lyricism with a slight raspy tone, and an old school boom bap flow.
The overarching theme in this record is the idea of dawning the mask before it was socially acceptable, or shall we say, socially forced upon us by big brother at large. “Filth and dirt, dirt and filth, get your mask up. You don’t want no blood spilt so back up, covered our faces before the days of the virus, don’t try to fight us, there’s a rage up inside us.” The chip on the shoulder that mask wearing has now become normal and they were rocking masks prior is felt intensely through the vibe of the hook.
G-Mo comes in with an insane verse, starting out comparing his skill to the crack that hits ones lips when smoking from the pipe. He has a distinct voice that sounds harsh in a way but he compliments Novatore’s flows and lyrics perfectly, the track is equal footing for both emcees to show off their honed skills of many nights, blacksmithing the right words to lay over a boom bap piece. This track is a solid old school vibe, surely to have you bumping more than once. The replay value is high, and the emcees pairing makes for great music. Novatore’s catalog is quite immense as we have covered him before and do not hesitate to go check out his collaborator G-Mo Skee! Bravo!
You might have heard of or have even listened to OVERLY DEDICATED, the legendary mixtape by Kendrick Lamar. In slight homage and reference to a portion of the great K.Dot’s catalog, RhymSter, the co-founder of Ever Evolved, started the Overly Dedicated Concert Series in Chicago Illinois to push artists live acumen, keep them sharp and create a community of music industry networking. Already on their 5th installment of the virtual shows, Overly Dedicated is raising the bar for live performances in the Chicago music scene.
Co-hosted by Scotty Rocks at his Dog & Pony Show TV Studios, together they bring in both local and national talent to perform via Twitch and Facebook live stream, to a vast online audience. They have featured recording artist talents you may have seen before such as Orlando Coolridge, CantBuyDeem, Hayward, Charmaine Makeda, Ro$e, RapCrush, Ivan L, Keem Singing, and many more! Overly Dedicated 5 airs once a month, last show being Friday May 21st at 7PM, featuring Chicago artists Big Homie, Azmattic, Essse, OG Poe, Pharoah, Monsoon Staraw, and Frostee Cavanero with contributing sounds from DJ Curt Henny! Reach out to Ever Evolved and RhymSter if you’d like the opportunity to perform at a live limited audience (also exclusive) Overly Dedicated event!
Born and raised Chicago, Andreaus Haley formerly known as Dat Bizness is pushing new music and projects, now that he is been rebranded by the forges of the pandemic lock downs. One of his latest projects, GRIZZLY is a peer into some of the regular experiences of growing up in this concrete jungle.
“Look in the eyes of the people, I see real fear, my mom passed away I still cry real tears… They trying to kill us all off, but we still here. Trying to make us hate eachother but the love is still there. Jo, the streets turning grizzly like a real bear. My whole style was developed on the steel stairs. Fuck your mean mug, ice grill, and steel stares. Peace to the K-Town homies posted on Kildare. RIP to the homies that got killed there. Murder on the beat, choke the bass line, kill snares.“
— Andreaus Haley
That has to be one of the best strings of lines you have heard from a Chicago hip hop artists in a while. Every line references something about the harsh realities of Chicago life. Andreaus Haley brings all of that together from a place of experience, knowledge, real pain and passion for the craft which shines through in his music and poetics. Haley has always been a lyricist, whether he tows the line between simplicity, or not, is up for debate. He willl tell you he is not trying to be sophisticated, so as to make his music reach a wider audience. That being said, It can be assured that he is incredibly lyrically gifted.You could definitely bump an Andreaus Haley track, forget about the lyrics, and just vibe out to the dope voice, and flows he lays over instrumentals.
You could also pay attention, and open your mind up to all sorts of true life stories. Andreaus reminds us all, do not f**k with the veterans of Chicago hip hop, they really have the best tampered steel. “Shorties holding 30 shot blickys, just know you against me if you not with me, in the studio blowing big pot sticky, we grew up in the zoo, that’s how we got GRIZZLY“. The hook references young kids in Chicago, toting guns and automatics. Obviously something most of our readers are aware of is the gun and gang violence happening in Chicago, the city is also referenced as a zo or jungle, due its violent nature and danger. The hook is Tupac like with its dark inferences yet such a cool tight flow over the beat.
Andreaus Haley is rolling on all cylinders with GRIZZLY available for streaming everywhere!
Coming off his earlier release of COFFEE & CIGARETTES II, The Homie Q is back with even more feel good tracks for your adult soul. ACCIDENT PRONE is a 5 track EP that dropped May the 4th, The Homie Q includes a direct homage to Star Wars with the cover art.
The intro track is a slightly megaphonic-filtered, autotune sing flow for the hook. He sing raps it really fast going into a bridge before his first verse where the Homie Q raps in a more conversational tone. “Blowing up my line for nothing, she say that she miss me, cruising with my Cali bitch, rolling up the Nipsey.” That line stood out for its Nipsey Hussle reference, calling some of the best Cali weed, Nipsey. This intro track has a lot of vocal switch ups which keep the song fun and different, nothing on this first record is expected, completely surprising.
BOY MEETS WORLD is one those fun bravado, lady killing songs. The song sounds like it samples Dance Dance Revolution. The Homie Q goes through reference after reference about his relationships with various women. A bright track filled with unique vocal runs of The Homie Q crooning! Track 3 is titled I SLEPT WITH THQ AND ALL I GOT WAS THIS T-SHIRT, which is a hilarious name that stands out. “Fuck me with the lights on, shootings stars shoot right on. Nothing lasts forever, baby come on, this is your song. Fuck with me the lights on, she can go all night long. I want this forever, baby come and get your shine on!” An extremely catchy chorus that will have you assuredly singing back and feeling yourself.
99PLUS1 is the fourth record on the project and contains The Homie Q’s only feature for the EP, Kasual OWNLY. This is another crooned banger, Kasual OWNLY comes in with a similar complimentary style and tone to The Homie Q. They take auto tune crooning to a whole new level on this track, very fun song! “I keep it 100 with you,” This project is chock fill of vibes for the ladies, full of vulnerability and masculine braggadocio. This is music you can bump at a party but also listen intently to.
“Never let ya go, never let ya go, no. Till I say so, till I say so, never let me go, never let me go, no. This means more than I know.” A heartfelt and emotion filled hook sung by The Homie Q for the last track on the project titled THERE WAS MORE THAN ENOUGH ROOM FOR JACK. The project is perfect for summer rides and evenings, lots of slightly melancholic yet more sensitive vibes from The Homie Q, and poetry geared towards one’s love life that seems to always be tumultuous. A short and sweet listen but is easily put on repeat, especially if you rock with the auto-tune crooning style of hip hop, uplifting melodies, and catchy choruses. Do not forget to stream “Accident Prone” available everywhere and don’t miss out on his previous project which we also covered titled “Coffee and Cigarettes II”.
The smash single from Chicago’s favorite duo starts in with Khalid Reed rapping two verses with Kevin Wiley on the infectious and super catchy hook. Svn Svn Thr33 perform in an all white background similar to the popular YouTube series, Colors. With the duo at two standing microphones, they give a sensational performance for their lady killing hit, THE BREAKUP SONG.
“I know I’m the person you said you never needed, but how come when I left you alone I had you heated.” Khalid Reed starts in with the first verse, inferring how attached his lady was to him. “I be feeling like this ain’t been work, and I don’t know how to tell you that!” Kevin Wiley comes in with the smooth and rhythmic vocals on the hook, “You been wondering when I’m in my phone, got you asking me where my head’s been at!” Khalid Reed raps a second verse, with Kevin Wiley on a two part bridge to connect the progression to the final chorus. “Came to you at my lowest, but your actions they were lower than that, girl I promise I ain’t ever look back!”
Khalid Reed ends his second verse with these gut punching bars, and Kevin Wiley glides in with “I’m sorry it had to be this way, I’m sorry that I can not stay, I’m sorry that it came to this, I’m sorry but this how I feel! I don’t wanna waste your time, but I can’t keep living a lie!” The lyrics are quite relatable in this modern era of dating, with all the social media apps and technology. Svn Svn Thr33 promise it is nothing personal and it is sometimes just how relationships need to go; no hard feelings, just brutal honesty. That theme shines through exceptionally well on their hit record THE BREAKUP SONG.
ChanSe NFO recently dropped a single with an intense music video along with it called KAREN. ChanSe’s flow breaks through with a biting speed. The slight distortion on his voice makes for a signature sound and style that is been enjoyed in his previous records. The editing of the visual sticks out because ChanSe does not make the typical choices that a lot of hip hop artists make. The black and white color scheme, strobe lights and lyrics smashing into the frame make for a ride of an experience.
“I keep a 40 on me just to gargle when my breath stinks,” is the first line that smacks almost immediately, and it is quite humorous to imagine. ChanSe then follows up later with, “Then go and run his mouth about the shit you did, WEIRD, lets be CLEAR, you ain’t about the mission then you rear view MIRRORED.” This line refers to guys that act tough, fake being hard and boast about their fighting skills, or embellished exploits that obviously never happened. The rear view mirror reference has to do with the one in the car that is too scared to go through, with whatever mayhem is about to occur. So they are looking in the mirror, wishing they did not decide to ride with the real ones that day. It is a strong visual line.
Chanse NFO ends the song abruptly after one more string of rhymes. The track is 1:30 in length and guaranteed to have you replaying it right away! The instrumental is produced by Theisy, and the visual was shot by Theisy as well, then edited by Jnicoo Productions.