Everytime these two get together, producer Edmur Quinn and RhymSter, it is always audio magic. Edmur Quinn with the raw production that controls the vibe of a room, combined with RhymSters lyricism, is the perfect recipe for greatness. The last time these two got together they created a 4 track album titled HEAVEN FOR ROSES, a relaxed album with lo-fi hip hop beats. That one followed up on PURE NOON, their first project together, an even dreamier project, however RhymSters flow balances out the tranquil sounds of Edmur Quinns production.
The two are back together for a short project of two tracks, and this time around they pick up the energy! Quinn works heavier on the beat work with this next two songs, IT’S ALREADY THERE and WHAT HAPPENED? RhymSter’s flows is reminiscent to his latest independent EP release 4 FOR 4, using more cerebral lyrics, putting your mind to work. IT’S ALREADY THERE gets a more urban boom bap vibe, while WHAT HAPPENED evokes a sinister energy with the melody behind the beat, while RhymSter spits some ruthless lyrics to complete atmosphere of the song, “One time two times aint shit to me, don’t fear death, only time you see… More than a man I’m a god, ya’ll know that, and my hand got the world wish you can hold that.” Two great tracks for your playlist to get your head bumpin’.
A music video can really make a song, and Wilhelm Duke, teaming up with RhymSter, create what seems like a movie. Now, this hip hop single can stand out on its own with ease, but with the help of Hayward at Beat Box Entertainment, these artists have a cinematic release on their hands. Sounding off with a sinister repeating sound, the beat comes in with some heavy bass, giving off an acid rap vibe with a hint of boss energy. The video itself is a satirical play on RhymSter’s introductory lines, “Never Disrespect, not Between Two Ferns…” referencing the show Between Two Ferns with Zach Galifianakis as a begrudging host and interviewer.
BOSS SHIT has one message, “Roll with the punch… Roll up the blunt… Roll up them cuffs, like a Boss,” repeating in the chorus; give it a listen and it will repeat in your head. Emulating that boss attitude, Wilhelm duke gets suited up in a blue blazer, psyching himself up with confidence, causing trouble and confusion to those in his path, laughing it up with no consequence. RhymSter, who cameo’s as a producer, videographer, blind composer and a clumsy student, takes the position of the artist in interview. The two eventually box in out, back to back spitting verses, taking turns throwing shots. The entertainment value does not stop there, as the video, following the music, features some behind the scenes footage (similarly to RhymSters Music Video with Essse), and an interview snippet as well. All put together, between the cinematic video, the beat and the verses, to creating a whole skit, this is some BOSS SHIT.
Scotty Rocks with The Dog and Pony Show has partnered with RhymSter, of Ever Evolved, to create a platform for artists to talk about their career, craft, life and even perform their latest release! The first episode is presented to viewers as a three part series. Each part runs about 25 minutes long, offering consumers much content to absorb. RhymSter interviews IIIMPULSIVEEE, Mic Logik, and Keem and offers a deeper look into the crafts, styles, influences, and history of each artist.
RhymSter and IIIMPULSIVEEE delve into the backstory of how he got his stage name. IIIMPULSIVEEE used to go by Mystic, Mystify, Baja, Smirk, Johnny MC and then finally IIIMPULSIVEEE; with three I’s at the beginning and three E’s at the end. He chose this spelling due to his relation to the number and numerology of 33. That seems to be the number that follows and symbolizes more of who IIIIMPULSIVEEE is. They continue to talk about the ins and outs of the music industry, aspects of selling merchandise and live performance. IIIMPULSIVEEE then performs his song, “METHOD TO MY MADNESS” live in Scotty Rocks Studio 28 of the Dog and Pony Show.
RhymSter and Mic Logik discuss Mic’s background growing up in Chicago and his memories of the Chicago Bulls and Allen Iverson‘s rookie game against Michael Jordan in 1996. They go on to talk about Mic Logik’s introduction to hip hop with Snoop Dogg, No Limit influences, his respect for the Warren G sound, and his love for Bone Thugs N’ Harmony. Mic Logik is a student of the game hip hop and music. His catalog goes back to as far as 2007. Mic Logik talks about the start of Chi-Native Entertainment and the radio segment he co-hosts, Chi-Native Radio. Mic Logik also has a podcast focused on basketball called All Net.
RhymSter and Keem discuss Keem’s background with classical music training, and going to college for vocal performance on which he received scholarship for. Keem believes you should never let anyone put you in a box, and to not ever give up; continue to strive and work. RhymSter compares Keem’s latest record, IT’S GOING DOWN to a powerful and funky Marvin Gaye record. IT’S GOING DOWN was produced by RhymSter and Keem and features Radcliff Music; There is a music video out to it now done by Hayward of B.B.E. They talk about how that hot political single was created in the studio. Keem then gives a performance of IT’S GOING DOWN to end part 3 of episode 1.
Highly recommend following RhymSter, Ever Evolved, Scotty Rocks, The Dog + Pony Show, and Friday Nite Lites to stay up to date on all of the amazing talent they will be featuring! Interviews, performances, and great conversation to compliment the brands of each artist!
Scoochie Boochie buys a luxury submarine to search for the LOST CITY OF ATLANTITS. A legendary paradise that sank into the sea when its women got too thick. The synopsis given by Boochie himself, and whilst that is accurate, this album is so in depth with the concept of lude, sexual humor, through the guise of a nautical focused setting and character, that the previous description might not due it justice. This album is the epitome of the word conceptual.
Scoochie Boochie is a new age hip hop influenced Pop-Eye the Sailor, mixed with the sexual satire and puns one would hear in Too $hort records. He is fluid and makes his style seem effortless, how he flows over instrumentals with sex jokes, after sex jokes. The record is mixed and mastered by RhymSter, with instrumentals provided by Vanilla Villa, Dee B, Guillermo, and Fartmaster J. The sound is crisp and clean, with the signature inflection from the main protagonist, Scoochie, cutting through in each track.
There are also a series of skits that paint a vivid picture, and drive a narrative of how Scoochie Boochie eventually winds up in Atlantits in his luxurious submarine. All the while detailing a sex-capade worthy of Austin Powers. The project is 18 total tracks, including skits, and lasts approximately 40 minutes. The sound, style, stories, skits and lyricism of Scoochie Boochie will bring a listener on a hilariously interesting time. The flow of the album feels like it could be scored into a musical and be a hit!
Notable lines from the record are throughout all of his songs, there is not a stale track on the project. “The beacon is lit, Gondor calls for aid, Rohan’s on the way, but it’s me with the dick, the trees and a zip;” that line can be found on the track I’M GOING TO HAVE SEX. That is just a taste of what you can expect to find on THE LOST CITY OF ATLANTITS.
In a touching letter to his father with extravagant thanks for his service and works in raising him and his sibling, J-Bose hits the heart strings completely with ROY DEE. J-Bose talks about his father respecting women, like his mother, and holding down many jobs to help his family get through tough times. “I sit back and count the days of our lives, I’m young and restless now but as the world turns, I realize, you won’t always be around and that makes me cry…” J-Bose sings in the chorus, evoking the listener to think about the fleetingness of life, and to be thankful for the sacrifices that their parents made.
The song features a monologue of sorts from Lauren DeBose, which describes more of the good deeds done by ROY DEE. In seven minutes time, J-Bose takes his audience on an intense emotional ride, filled with nostalgia and gratitude for the measures taken by his father, to ensure a life set with love and opportunity for his children.
A young underground mogul, RhymSter is connected with the some of best artists, beat makers, producers, DJ’s, collectives and labels Chicago can offer. Working in the background and the fore front of music, from performing to coordinating the events, to spittin’ freestyles and making beats from scratch at Ever Evolved Studios. Always one to get involved with others as well, as his last release brings out four talented hip hop artists on his EP titled 4 FOR 4. This project follows his single PRODUCT OF ME and EP HEAVEN FOR ROSES.
Every track has an artist that can bring the most raw verses you can hear, no holds bars! Cannot mention heavy bars without naming Mike Booth, a photographer with unstoppable freestyle flow, explaining on the track CONSEQUENCES, “This lifestyle comes with consequences, either you on the court or on the benches.” That just being the chorus, a hard lesson; his verses always come unfiltered, and his next verses show you just that. Rhymster chimes in with hunger, “I’m that young man heading for the Forbes on that top list, the keys only open for me, I’ll challenge any locksmith.”
From there you already know this project is going to hit. One track with BeatrixKiddo takes on a lo-fi vibe on the beat. Starting with a sample from Rodney Dangerfield‘s stand up on LIL DIFFERENT, the creativity on production with this project is quite noteworthy by JAKETHESNAKE. Each track presents something different, and with Italo, he adds a touch of R&B to the project in POP UP. Finally to complete 4 FOR 4, Greediphresh comes in to match some bars on the fourth track! TELL ME brings it all out, as RhymSter brings his toughest verses with Greedi’s signature raw style and heavy voice, over a haunting beat. An EP to have on every hip hop playlist with the bass way up!
Originally from Omaha, Nebraska, Wilhelm Duke now resides in Chicago where he pursues hip hop independently. Starting off first making moves as a duo with another artist, he eventually disbanded to expand on his solo work. A talented artist and an innovator, with lightning fast lyricism, deep philosophies and a motivation to empower his local collective of artists. Not only pursuing music, Duke dips into journalistic writing and videographic cypher episodes, highlighting talented hip hop artists.
As if he does not write enough here on Ever Evolved as a music journalist, he adds even more to his political journal online, and gets insanely creative with how much words he can fit into a song. Does not seem to stress him as though these thoughts run though his head on a regular; his philosophical ideology may also point to the concepts in his music. With two recent releases, he conceptualizes his music as it would be on the radio, and in another track he raps about the divine feminine, independent women of the world. The radio concept is appropriately titled POP FLOW and the feminine track, Y.D.N.A.M.
POP FLOW is more relaxed lyrically compared to his other tracks, notably in his latest LP THE ROBBER BARON, and tracks like WANT SMOKE. Perhaps done purposely, as radio plays are simplistic in style and lyrics? Y.D.N.A.M. takes on a different persona, as Duke rapes over an R&B beat, experimenting with vocalizing, to take to empowering women. Pointing at perspectives that negate the power of women, in the world and in relationships, Duke sees people, of all kinds, as equal in potential and in their rights. There is always something to take from when listening to Wilhelm Duke, with his lyricism being catchy and holding metaphoric wisdom simultaneously, read between the lines!
With a work ethic that can rival Curren$y, and a freestyle flow that is raw and endless, there is more than enough Radcliff Music to keep your speakers rockin’. With the Educated Low Life brand, as a scholar and street artist, Radcliff continues to promote individuality and resilience to adversity in himself and others through his verses. If you can keep up with his lyricism you can learn a couple new philosophies and ways to go about life. But the message is clear: be authentic, mind your own and put in some work!
Recently on a streak of releases on Youtube, during lockdown season, taking advantage of the free time to hit the studio. His latest comes as a collaboration and a single with a couple of different energies! Fresh with KEEP UP, features artists Tamica Renee and King Rozzie, this track has a more R&B vibe to it, with its beat and feminine vocals, balanced with Radcliffs lyricism. This will follow up on his track IN THE CLOUDS, with a more relaxed lo-fi beat produced by Nate Broski. These tracks, along with FOX FLOW, are his first releases on soundcloud after a hot minute, following his Youtube marathon.
When it comes to abstract art and artists, most would think of visual art, but ESSSE Guey takes the idea and places it into his music. From his image, to his spelling, to his lyrics and wild behavior. Essse really does not follow the rules, and it works out for him musically and even visually, with his collection of music videos. As a Hip Hop artists he puts his whole mind on display, and he does not shy away from those explicit thoughts either!
His most recent music video, OD Featuring RhymSter, is a perfect visual representation of abstract antics. In the video, you will see ESSSE climbing gates, jumping around a ware house, running around dark rooms fitted with a betelgeuse (Beetlejuice) getup and masks. “Open minded odyssey, anarchy to gravity, higher than a remedy, OD off of-” ESSSE pops in with the chorus. Even the whole format of the video is abstract, with skits in the middle and the end, and even bloopers and behind the scenes footage to really reel you in.
From his image and antics, you can see the Salvador Dali, Pablo Picasso esque quality ESSSE brings to hip hop. But more than only his style and attitude, his lyricism brings him a long way as well. Recently releasing a 6 track EP, dubbed TIMES LIKE THESSSE, featuring many local artists like Baggz, Black Joe, BeatrixKiddo, RhymSterand Mike Booth. Pay attention to how expresses himself in his songs, ad-libbing with grunts, growls and barks, bouncing between Spanish and English language. His lyrics can cover anything from being carefree, ominous thoughts and activities, mischievousness, sexuality, hustle and motivation, as evident through just the song titles in TIMES LIKE THESSSE, like NO CHASIN, NO Z’S, DO NOT GIVE A DAMN and SKULLS.
Scoochie Boochie, a legend born from the magma of a volcano in the Lost City of Atlantis. His sexual humor is as hilarious as his rap inflection. But Michael Ribbens aka Scoochie Boochie hits the nail on the head when it comes to developing hilariously lude rap punchlines that almost burn the image into your mind. Influenced by the likes of the Lonely Island and Danny Brown, add some Prof of Rhyme Sayers Ent, Palmer Squares, Hoodie Allen, Childish Gambino and Watsky, you might come out with a Scoochie Boochie.
Regardless of those you could compare him to, his style is unique, memorable and definitely comedic. Notable lines that stood out in HI for their satirical impact: “If you need a frame of reference, meet the smiling face your lady pressed her breast against... Booty like everest, treacherous, many men have tried and failed to scale it, but I bested it; yes I did.” Schoochie Boochie has two previous releases out, DIPPIN SAUCE’ and BUTTER MONEY. If you enjoy stand up, sex jokes, rap and fat breasts– I mean fat BEATS, you will love Scoochie Boochie. He also rocks the tight fitted sailor outfit in HI sure to get your girlfriend wet.