The League Champs Orlando Coolridge and Keem Singing are keeping the games going with a music video for the recently released hit single ESTRELLA, off of LEAGUE CHAMPS VOL. 1. More fun than games, the champs got together a talented group of individuals, like Lani Anderson aka Jiig_Siix, to dance for the Chicago house beat. In the middle of OTKST painting live at Empirical Brewery in Chicago, artists like CantBuyDeem & Keem Singing himself performed for a crowd. One proactive way to celebrate artistic creativity and the LP Release! League Chaps got more tricks up their sleeves for weeks to come until and beyond the 2nd festival in October.
Started from the bottom and now she is starting back again, or so it is said! Back making some noise is the Chicagoland native J.Phlip with a new hour long mix with some tunes you will not hear anywhere else! RESTARTED FROM THE BOTTOM LEFT THE WHOLE TEAM THERE is filled with everything you need to explore new bass influenced tunes. Heavy on juke, jungle to hip hop, with a touch of acid trance, tech house and disco influence, J.Phlip will get you moving in ways to ever knew you could! Chicago footworking natives can use a playlist like this to express their energy as well as dip into deeper electronic sounds. Giving you an idea of what her sets will look like, as she is booked for a few festivals and other events as far as halloween! You can also find her producing originals and remixes, uploaded onto her Spotify and Soundcloud accounts. Recently J.phlip played an After Hours event in Vegas till day breaks, and Tree House in AZ, Sunsets Silent Disco, which her first event touring in over a year! She is set to spin at North Coast Music Festival in Chicago and Outside Lands in San Francisco if you would like to check out her unique sound. You can also find some original tracks on her spotify and soundcloud account
Sports and music are heavily intertwined mediums that permeate the fabric of our modern world. Specifically, basketball and hip hop appear to have a more intimate connection than most. In Chicago, we at Ever Evolved have put together a compilation record for your summer listening pleasure called, LEAGUE CHAMPS. A lot of us hit road blocks in our athletic endeavors but now when it comes to Chicago music and beyond, we are the championship team. Ever Evolved and its affiliates have been pushing the forefront of the independent music market for years now. And it is all led up to moments like these, becoming the League Champs.
Fully produced, recorded, engineered and mastered completely in house; much done by the co-founder head engineer RhymSter himself, LEAGUE CHAMPS is a 26 track LP, including a documentary, skits and more special content soon to come, that will surely pique your interest in one facet or another. LEAGUE CHAMPS includes appearances from RhymSter, Keem Singing, Hayward, Ivan L, BeatrixKiddo, CantBuyDeem, C-Mac, Ben Rose, Nate Broskii, Kidd of OTKST Society, Essse, Orlando Coolridge, DJ Hunt, DJ Curt Henny, JaiTheArtist, J-Bose, and William Bolanos.
Track 1 is an introductory record with a sports-like announcer voice over done by William Bolanos promoting the album of LEAGUE CHAMPS. A well done rendition of that vocal style for announcements. Track 2 is HANG UP, which features a voice over from DJ Curt Henny about a situation where someone is getting sent off at the studio. A typical Chicago type of scenario. “Why’d you hang up on me?” And “You didn’t text me back!” are said repeatedly over a dope instrumental containing a sample of a female singer.
BABY LEG is track 3 on the LP, it is a collaboration between CantBuyDeem and Rhymster, with CantBuyDeem on the hook, and then they split two verses. BABY LEG is a vibey track with strong lyrics from the two Chicago rappers. Essse and Keem Singing composed a surprisingly beautiful melody in GO CRAZY track 4 with the refrain lyrics reading, “Baby, can you fly away with me? Maybe, cause we not the same, we go crazy, every night and day my head crazy, but I’ll be OK!!” Track 5 is a Ben Rose production, INCOMPLETE, another surprise on LEAGUE CHAMPS is that you will hear sophisticated, and banging, heavy metal music!
Track 6 is a BeatrixKiddo song called ITS A VIBE, you never heard energy from her like this before on previous kiddo beats, and it is a favoritefrom her so far! Track 7 Interlude 2 is the 1st intermission of the LP featuring another VO from William Bolanos, and the artists who were on the first few records screaming shouts of joy in the background. Track 8 is a trifecta collabos between RhymSter, JaiTheArtist, C-Mac, and Keem Singing. “It’s the way your body moves when the songs on,” sings Jai, with Keem coming in with a complimentary “Shake it for me, shake it for me” and a guest verse in the latter half of the track by RhymSter, referencing Phoenix Suns, Devin Booker, Santana, Dusk Till Dawn, Salma Hayek, Desperados, and Missy Elliot all in one verse.
The next track cuts in immediately with lyrics from RhymSter saying “I made a milli by lunch, life can be great when you live how you want.” A nice lyrical chop by Rhymster on track 8, LUNCH BREAK, with JaiTheArtist bringing in a solid verse as well. SMELLING LIKE THE UNIVERSE, is another strong collab, featuring C-Mac, Cockykidd, Rhymster, and company. The C-Mac line, “You cant have a life if you not really living,” stands out as the main theme from this record. ESTRELLA is definitely a favorite from League Champs, a house record produced by Orlando Coolridge, featuring lovely ambient vocals from Keem Singing. J-Bose comes in on track 11 GET THE DUCK OUT, a superfluous record with amazing chopping and vocal inflection from the Busta Rhymes, Busdriver-like rapper singer. This track has insane energy and flow, highly recommended.
APOLLO is a powerhouse, 2 rapper collabos between Hayward of B.B.E. and RhymSter of Ever Evolved. You will want to bump this track for the hard lyrics, paired with the flow and the beat. A hype song live as well! Next on the super LP is another Ben Rose production, SABRETOOTH TIGER, which reminds a lot of Dragonforce’s, THROUGH THE FIRE AND FLAMES, speed and instrumentation. CantBuyDeem featuring Essse show up with another record in KEEP A WHISTLE. A really fun, incredibly catchy tune with memorable lyrics from the Chicago heavyweights. CantBuyDeem references queso, pesos, cucumber in the water, no Faygo, in the beginning of the record, and that string of lines hits so hard.
BESOS is the next track on League Champs which is a progressive house record with a high pitched vocal sample that only a few might recognize. MY ENTOURAGE flips the famous Eminem and D12 MY BAND melody brilliantly, with Keem Singing at the helm of that record. LAY UP is a strong collab between CantBuyDeem and BeatrixKiddo, who make multiple appearances on League Champs! A major part of League Champs is the Chicago to South Florida connection, thanks to Ivan L Rhymes Well. This record DIS MY SONG features impeccable verses from Rhymster and Ivan L with a flawless hook from Keem Singing. A video is out to this now on YouTube shot by Hayward of B.B.E.
SKIP A BEAT is another super collab on League Champs between CantBuyDeem and Keem Singing. Hayward shot the video to this joint as well, while the Ever Evolved family traveled to South Florida for shows earlier this year. PAIN OR PLEASURE is a Ben Rose production featuring vocals for Essse, who also doubles as a versatile rock and heavy metal vocalist, incredible song. REPEAT begins hilariously as you can hear Hayward continually tell CantBuyDeem to do the hook on the record. A bumping track that will surely have you giggling from hilarity. The theme of REPEAT has to do with the repetition of the rapper lifestyle, to keep it from becoming monotonous we must make dope tracks about it.
BOOTY CALL ends the LP with a low bass voice over on a house record that will have you dancing and vibing out wherever you are listening to it. DJ Hunt has a special extra exclusive mix attached to League Champs Vol. 1 as well, look out for that during the related content campaigns surrounding League Champs. In the last interlude, William Bolanos explains that there will be a billboard on Cermak and Racine, with all the colorful bobble head characters part of the Leauge Champs compilation record. This was done by graphic designer and artist Amanda MacMillan.
Are there any other independent recording artists that put themselves on a billboard in their own city? It is a special one, and it is encouraged everyone reading this to go see it when it is up and completed. Ever Evolved continues to push the envelope in the indie music market based in Chicago Illinois. Chicago is notorious for negativity and hatred in the hip hop scene and culture, but that is disproven over and over again by the collective of Ever Evolved and all its affiliates. Independent people, creating a true civilian based entertainment industry.
Louis The Child is arguably the champion of good and positive times, and anthemic tunes. Their debut LP release HERE FOR NOW earlier last year is the epitome of all the may represent to their fans followers. Each tune is uplifting in sound, and positive in message, fun and playful enough to dance to, and heavy in bass enough to jump around; a perfect radio formula thats not dull or repetitive. Spanning multiple genres from drum n’ bass, future bass, hip hop, pop music, and more, Louis The Child decides to add 4 more tunes to the package. What is more is they decided to say SO WHAT, and released another tune 2 weeks following, but the message is too powerful to just brush off! SO WHAT of little problems, there is a life to live, cannot control anything, you are powerful regardless, so dance!
Saladin is on fire with not 2 but 4 releases just in a month, but to no surprise, his output is consistent! Always keeping it fresh, Saladin easily wins a #1 spot on Beatports bass house charts mid November, and his answer to that was more music! The song of notoriety aforementioned was dubbed ANTHEM and got you moving to a bass house vibe, was supported by prominemt names like Don Diablo, Hardwell, Showtek & more! Following up would be two collaborations with DeLain and another hot original single!
When Saladin and DeLain get connected they create some G House and Tech beats. Shortly after ANTHEM, the two release KEEP UM, a personal favorite just for its hypnotizing sound, and most recently YA KNOW, which is on a whole different spectrum of energy. Mixing G House, Bass House with a heavy Hip Hop influence, YA KNOW can get anyone moving. Finally we have NEVER STOP, which was released in between the DeLain collabs, Saladin kept it straight bass all the way through. Solid additions to an end of the year party playlist
Great and iconic music is reflective of the times that it was made in. It is also reflective of things that have been permeating through out history. Both are true when it comes to the hit social-political single, IT’S GOING DOWN, by Keem Singing and Radcliff Music, produced by Keem Singing and RhymSter of Ever Evolved. With imagery (visuals by Hayward of B.B.E. and BTS by Scotty Rocks of the Dog & Pony Show) of Keem portraying Malcolm X, and black freedom individuals holding a vigil in response to police brutality, Keem sings, “There’s a fire burning, spread across the nation.” Radcliff Music raps a verse that pays tribute to fallen black people at the hands of police officers ie. Sandra Bland, George Floyd, Emmet Till.
Whether or not our country is better than it was in the 60’s, there is photographic and video-graphic evidence that suggests that systemic oppression against people of color has largely stayed the same. So far the music video gets rejected by multiple platforms for its supposed edginess. IT’S GOING DOWN is only edgy in that it sheds light on the frustrations that BIPOC have faced in this country for hundreds of years. Platforms will put up and publish images to negatively stereotype the black man. But show something that incites pride, political organization, and intelligence, now its edgy. When it is a music video of black men coming together to demonstrate?
Notable Chicago duo, The Hood Internet, just finished their music time machine! The two have embarked on a journey throughout the 80’s, sampling the decades most favored songs and artists in a handful of songs representing each year of the 80’s. Why has this not been done before? – We just needed genius’s like the Hood Internet in Chicago to manifest this concept obviously. Together they mixed together artists like Kool and the Gang, Rick James, Men Without Hats, Daryll Hall & John Oats, Survivors, Michael Jackson, The Clash, Bonnie Tyler, Eurythmics, David Bowie, Corey Hart, Van Halen, Cyndi Lauper, Eazy E, Dr. Dre, RUN DMC and way more, in a seamless progression. A homage to a decade of that forever shaped the culture of music in countless ways, from disco to hip hop, rock n’ roll, synth pop and countless cultural references from hollywood movies to music icons, perfectly represented thanks to The Hood Internet!
Black culture is a dominating foundation to many aspects of social culture and style. If you are an avid lover of house music, especially in Chicago, it is important to know that it evolved from disco, in gay, black clubs and communities, inspiring techno in Detroit. In a day and age where tensions are high, between a growing authoritarian police state in America and the public, particularly taking advantage of minority communities, Louis The Child, in the best way they know they can, releases a mix exclusive to black artists, to the tens of thousands of fans that follow them. Continuing their motto of music that makes you happy.
This mix contains a variety of genres of original mixes and remixes from house to hip hop and R&B. Hearing music from artists like Chicago’s own Green Velvet, Mick Jenkins, Joey Purp, Kanye West and Vic Mensa, they also add in iconic names like the late Bill Withers, Stevie Wonder, A Tribe Called Quest, B.I.G., Wu-Tang and more. Being electronic music artist from Chicago, it only makes sense to pay homage to Chicago locals especially to its history. Without this evolution of disco in black communities, EDM as we know it could be drastically different, if in existence at all, for all we know.
This mix follows up on their usual flow of ridiculously catchy anthemic tracks and party tunes; Louis the Child does not seem to have an off switch. In their most recent remix, they chose upon Rich the Kid with a Kendrick Lamar feature by the name of NEW FREEZER from 2017. Completely flipping the beat up into wild, bass bumping, house track, that switches up dramatically with that classic Louis the Child, chopped up synth and hip hop beat pattern. They did not have to get that crazy but they made it their business! This follows up an original beat, NOBODY LIKE YOU, another vocal, pop, dance tune perfected by the voice of Vera Blue. If there is an off switch to Louis the Child hiding anywhere, let it be hidden; after hearing collaborations with Foster the People, this Chicago duo is unstoppable!
The Chicago duo is back with another original mix and vocal collaboration. They follow up on their series realeases of originals and collaborations, WIGGLE, FIGHT and HOUSE PARTY VIP. This release features vocal artist Libby Dietrix, singing from the intro with confidence and what is no doubt good club etiquette. “Dance so free like a movie scence, and I go all out cause I’m the Trash Queen. Look at me bumpin’ in the club with the system, won’t take a drink from a random mista’, no suga’ daddy if you know what I mean and I go all out…” This track starts out with that abstract Deadmau5 vibe, and onward with a techno beat to just dance and groove too. A great balancing track between their typical bass heavy house beats, with more exaggerated climaxes and drops.
The two Chicago brothers, Eric and James Estrada of AYOO, are back again with a new original mix for your playlist. The two were having fun earlier in the month, passing out AYOO masks around the city, helping residents and fans with virus prevention! They follow up on their last hits, two different collaborations with Rico Act and RhymSter, named FREAK OUT and TIMELINE respectively. AYOO this time brings back the idea of an old era; the ROARING 20’s, released through Aural Sex Records, into our present 20’s timeline. With a bouncing house beat, some glitchy lyrics and some rumbling bass, it is enough to make you get up and kick your feet.