Many songs, to the untrained ear and regular fans, may seem final and complete once released. Seasoned artists however know that any song or creation can be added onto or restructured completely, to create a similar work of art or new one altogether, from the foundation of original. This yea, remixes have played a significant role in Louis the Child‘s playlist. From a remix EP of the KIDS AT PLAY project, to remixing Elohim and Death Cab For A Cutie, Louis the Child now picks another catchy tune to remake.
This time around the Chicago duo picks a song from a couple of EDM legend to rework. The former Dog Blood duo, Skrillex and Boys Noize, have teamed up again and this time with Ty Dolla $ign to make a bass house beat. Now remixing artists as complex and established as Skrillex may be a bit of a challenge, but none too much for Louis the Child too handle. Known for the consistency with producing anthems, the two take the MIDNIGHT HOUR and flip it into a more hip hop & R&B influenced down tempo tune. An interesting remake to add to your playlist, Louis the Child is no stranger to unusually catchy sounds. An acquired taste to add to your playlist, let it grow on you.
Solstis is back making noise as they prepare for the release of another project. Following a few drops of single and collab pieces, the Chicago duo is ready to drop their next EP. AS THE SUN HITS, officially releasing on Oct. 11, gets the hype dialed up with the release of ABOUT YOU and MISS YOU. Both very ambient down tempo synth pop tunes to really relax to, giving you an idea of the full EP to come! This follows their collabs with Emay Holmes and most recently HIGHER with Simona Shao. Stay tuned for the full EP!
Having released REDUX 003 early in the summer, Kaskade comes back with a little surprise. With the EP already being jam packed with 18 songs, Kaskade adds 5 more to the package of the already diverse playlist. REDUX 003 DELUXE adds on three more exclusive originals and two remixes, ranging from bass house, deep house, future bass and down-tempo influenced styles. With Diplo & LöKii jumping on the project these exclusive tracks are a do doubt must have in your playlist for a good dance party.
TRUE G‘s stay true to their closest people and their city. They stay consistent with who they are and what they represent! Ayoo show their true colors with this their latest tune. Not only are they consistent with their excellent content but they rep Chicago hard, sticking to the local artist on this remix. Ayoo rocks the house music, rocks with the local artists and the city flag. Can you get more chi town than that?
If you love house music you would know Chicago is home to some of the best artists in the game like Saladin. Ayoo comes in and takes TRUE G‘s from his playlist, brings down the tempo a bit gives it a whole new attitude. Their sound gets more crisp as they go, they continue to improve with each release. Following their Lauryn Hill,Groove Delight remixes and having signed their single TIMELINE featuring RhymSter, another Chicago artist, to Artist Intellegence Agency; they have been riding that wave of momentum smoothly.
What is a party without the DJ? Even the live performing artist needs their go to DJ in between setups and songs to keep an audience amused. The radio DJ can make or break an artist. The best of them can traverse genres, no matter who is listening and make their body move. Some can even influence music cultures with their sound and style.
Many times in our publications we recognize the vocal or spotlight artist. Tonight however we highlight the DJ’s role in music through DJ Squadooble. Albeit a young artist she made her way into the nightlife industry with ease. To personal friends and acquaintances she is the life of the party, to her associates in music she is the controller of the party.
Introduced into house parties, she quickly becomes popular with local promoters. Her diverse genre base welcomed her to spin at popular local clubs and lounges such as Debonair, Lokal, Simones, Harbees and even made her way to local neighborhood festivals over a short period of time. With a variety of genres from latin influences to hip hop and dance music, if you are in the vicinity of her sound she will make your body move! Making a return to Simones in Pilsen this third weekend of September she will be a judge for a twerk contest under the Ever Evolved banner spinning alongside DJ Hunt, rocking the crowd and backing up features artists like ESSSE, T.Z. Duhh, I C Y and more.
The mix below is old news but the magic is in the present. Follow her pages below and get in tune with DJ Squadooble and catcher her spinnin live.
Chicago’s Sonic Illusionist, the elusive traveler of recording artists. A jester of mystery, formerly known to some as Flynn. Tyler James Logsdon has re-branded himself and dropped a record reminiscent of 80’s super synth pop. There are a lot on this record that can remind you of, depending on which track we look at from his 14 song LP New Policy, artists such as A-Ha, Depeche Mode, Daft Punk, Robert Smith from The Cure, Interpol, Pulp, Chrome Sparks, Explosions in the Sky, Chicago’s The Drum, Royksopp, TRVST, Chris Isaak, Nick Cave, Kavinsky, Imogen Heap, and even one of my personal favorites, Brian Molko of Placebo.
Now that’s a lot of artists to compare the likes of him to but I guarantee that if you listen to this record from front to back it will feel like a lush bright mixture of all of those sounds, feelings, voices and progressions creating this all new, all too unique experience from Tyler James Logsdon. What I appreciate the most about this album is that its not only conceptual but its made to be listened to from top to bottom. It is an experience to be absorbed, not to just pick a couple songs from the record that were more popular or did better as singles.
That being said, TJL does have major single power potential on a lot of the songs on the record such as my personal favorite PLASTIC, and then STARDUST, REQUISITE, BLIND, BY MYSELF, and REFLECTION definitely can stand alone, but paired with each other on a full length project they do even better. Not every track has vocals, a few of the numbers on the record are just a great composition of instrumental. These instrumental numbers offer a dynamic texture to the album. You get 2-3 songs of TJL smooth crooning’s and falsettos for every one uptempo 80’s instrumental.
You can hear and feel so many different influences when consuming this project and what is more impressive is that everything is entirely produced and engineered by Tyler James Logsdon himself! He seems to channel Kavinsky, Daft Punk, and TRVST on the record STARDUST. STARDUST is a roller coaster ride of a song that makes you feel like you are playing the Rainbow Road level of Mario Kart or you are Garrett Hedlund driving a futuristic motorcycle in the film Tron: Legacy. The song Plastic sounds as though the Norwegian pop band A-Ha and the Swedish artist Royksopp fused into one for that record to come to life.
TJL uses strong memorable sounds for his melodies that bring you back to that 80’s era while also progressively bringing you further into our time with epic electronic dance pop. It cannot be quite explain it; but his sound is both new and old, progressive and retro, archaic and cutting edge. It is as though he is taken the timelessness of what we miss and loved about the 80’s and combined that with new pop composing techniques of today. Back to the Future, or Forward to the Past? Nostalgia and hope seem to be these ethereal feelings he exudes in his album. That is how I interpret the name, New Policy. TJL has created a newer type of sound by pulling from esteemed golden eras of music history.
Epic: A humble word to describe the music by Tyler James Logsdon. He can program drums in the manner that I have seen Chrome Sparks play live and sing deeply in the style Nick Cave or Leonard Cohen on the record Reflection. He sounds like Robert Smith from The Cure on the record Blind. And some records Tyler’s layering of his vocals remind me of James Blake or Lana Del Rey songs. The talented Mr. Logsdon capable of palpable tunes that present themselves as a blend of some of your favorite most inspiring Swedish dance pop records.
The replay value of this LP, NEW POLICY by Tyler James Logsdon is extremely high for a few reasons. It is a sonic and compositional variety that seems to draw from a plethora of artists. Its production value is pioneering what you remember and love about 80s synth pop. It’s genuinely a record that will have you singing, dancing, laughing and even crying (just wait till you get to song number 13 with Take My Hand)!
Tyler James Logsdon is chosen as Artist of the Week because I believe what he has done with his full length record, NEW POLICY, deserves spotlight and praise. His fused style of progressive and retro offers a listener an amazing sonic time. Tyler James Logsdon will be playing shows in the near future around the city of Chicago. I hope you are lucky enough to see his records performed live. Here is to growth and better futures, here is to A NEW POLICY.
It is not untrue, Love does often have us running around in circles; what is uncertain is the outcome. With a new release Win & Woo go over these woes in HERE U R. “This is not the way that loves supposed to be, a broken record on repeat“, sings Sara Skinner about hopeful feelings in a doubtful situation. Really about going through the emotions in that kind of scenario, the Chicago producers add an uplifting deep house bass line to keep you dancing away from any of those kinds of doubts and negativity. Following the even more uplifting RIGHT IN FRONT OF ME, TEA TIME and a couple of impressive remixes, HERE U R is a wonderful addition to their playlist and yours.
Summer is still vibin strong and Whethan is back with a new releases to keep the party goin. You know he can rock a hit summer single too working with artist like, Louis the Child and Flux Pavilion. With key remixes succeeding his network, this Chicago natives reputation opens the doors for himself to work with just about anybody at this point. Staying busy following the release of his Life of a Wallflower LP, Whethan has been releasing singles collabs and remixes to our pleasure.
Looks like his flip of SickoMode by Travis Scott and Skrillex got the right attention as Whethan comes back around with an original piece with Travis and Metro Boomin called Overdue. We know he has remixes on Post Malone and Justin Bieber, Lorde and Elohim that would make for interesting artist combinations. This follows collabs with Jeremih and Bearson with Saok and an original piece titled Going Up. Each stand alone works of art, only strengthening his playlist for whats to come!
Back again is frequent collaborator and friend Oliver Tree with the track Do You Feel Me. The two experiment on with thos one giving off a Killers laced Justice vibe. Not long after Whethan releases Summer Luv with the Knocks and thr Crystal Fighters. Two big names to collab wit, Whethan reach is stretching farther than ever before! Exciting to see what he comes up with next.
Notorious for anthemic songs and sing along tunes Louis The Child seems to have an endless supply of hits! They have a natural ability to connect with their audience through their music and control crowds. They set the vibe and people follow. They just know what people want to feel and hear and transmute it to uplifting energetically intoxicating music! The proof is in songs like LAST TO LEAVE & RIGHT TO IT, ALL NIGHT with Chance the Rapper, WEEKEND with Icona Pop, BETTER NOT from their KIDS AT PLAY EP and so much more.
Hard enough to choose a favorite among their playlist and they just made it harder with a few new additions! The beauty of Louis the Child song is that they cover a range of genres, energy and emotion. As much as they have anthemic tunes they have just as much tracks to lay back to and day dream to. Tracks like GO, SLOW DOWN LOVE, SAVE ME FROM MYSELF with Big Gigantic and their recent remix of Elohim‘s THE WAVE can get you in a zone of your own.
Among Louis the Childs recent releases you can get a mix of both the excitement and the impassioned. Earlier they released another remix, this time they chose Death Cab For A Cutie to remix, taking I DREAMT WE SPOKE AGAIN and turned it into a dreamy future bass track. More recently they pop out another original to move your feet and jump to. BIG TIME is another one of those anthemic beats; blaring sounds, melodic synth basslines and uplifting energy. Leaving the vocals aside for this one, it is a perfect song to dance and enjoy the moment to; As are many of Louis the Child’s tracks!
You cannot talk about Chicago house music without mentioning Green Velvet. Also known as Cajmere, among other aliases, this living legend has been spinning the most hypnotizing techno music since the early 90’s. Good portion of electronic dance music fans today were just in diapers and had no idea the impact this genre would make on generations of dance music lovers. Green Velvet already deep into early rave culture graced the clubs with hits like LA LA LAND, ANSWERING MACHINE and SHAKE & POP to name a few. Most recent recognizable song to be sampled multiple times after its release is LAZER BEAMS with Harvard Bass.
Recent months Green Velvet has been on a spree releasing, collaborating with popular house and techno artists. Working on a remix EP with Adam Beyer, Layton Giordani and two seprate tracks, SHARE NOW and COMPLEX, with Mauro Venti and Eats Everything. Keeping true to his techno roots this grooves will keep you vibing on a dancefloor. In classic style, Green velvet adds vocals lyrics and commentary to add to the hypnotizing beats giving a surreal and underground atmosphere.