It is not untrue, Love does often have us running around in circles; what is uncertain is the outcome. With a new release Win & Woo go over these woes in HERE U R. “This is not the way that loves supposed to be, a broken record on repeat“, sings Sara Skinner about hopeful feelings in a doubtful situation. Really about going through the emotions in that kind of scenario, the Chicago producers add an uplifting deep house bass line to keep you dancing away from any of those kinds of doubts and negativity. Following the even more uplifting RIGHT IN FRONT OF ME, TEA TIME and a couple of impressive remixes, HERE U R is a wonderful addition to their playlist and yours.
Summer is still vibin strong and Whethan is back with a new releases to keep the party goin. You know he can rock a hit summer single too working with artist like, Louis the Child and Flux Pavilion. With key remixes succeeding his network, this Chicago natives reputation opens the doors for himself to work with just about anybody at this point. Staying busy following the release of his Life of a Wallflower LP, Whethan has been releasing singles collabs and remixes to our pleasure.
Looks like his flip of SickoMode by Travis Scott and Skrillex got the right attention as Whethan comes back around with an original piece with Travis and Metro Boomin called Overdue. We know he has remixes on Post Malone and Justin Bieber, Lorde and Elohim that would make for interesting artist combinations. This follows collabs with Jeremih and Bearson with Saok and an original piece titled Going Up. Each stand alone works of art, only strengthening his playlist for whats to come!
Back again is frequent collaborator and friend Oliver Tree with the track Do You Feel Me. The two experiment on with thos one giving off a Killers laced Justice vibe. Not long after Whethan releases Summer Luv with the Knocks and thr Crystal Fighters. Two big names to collab wit, Whethan reach is stretching farther than ever before! Exciting to see what he comes up with next.
Notorious for anthemic songs and sing along tunes Louis The Child seems to have an endless supply of hits! They have a natural ability to connect with their audience through their music and control crowds. They set the vibe and people follow. They just know what people want to feel and hear and transmute it to uplifting energetically intoxicating music! The proof is in songs like LAST TO LEAVE & RIGHT TO IT, ALL NIGHT with Chance the Rapper, WEEKEND with Icona Pop, BETTER NOT from their KIDS AT PLAY EP and so much more.
Hard enough to choose a favorite among their playlist and they just made it harder with a few new additions! The beauty of Louis the Child song is that they cover a range of genres, energy and emotion. As much as they have anthemic tunes they have just as much tracks to lay back to and day dream to. Tracks like GO, SLOW DOWN LOVE, SAVE ME FROM MYSELF with Big Gigantic and their recent remix of Elohim‘s THE WAVE can get you in a zone of your own.
Among Louis the Childs recent releases you can get a mix of both the excitement and the impassioned. Earlier they released another remix, this time they chose Death Cab For A Cutie to remix, taking I DREAMT WE SPOKE AGAIN and turned it into a dreamy future bass track. More recently they pop out another original to move your feet and jump to. BIG TIME is another one of those anthemic beats; blaring sounds, melodic synth basslines and uplifting energy. Leaving the vocals aside for this one, it is a perfect song to dance and enjoy the moment to; As are many of Louis the Child’s tracks!
What is love without the pain? Some will believe you cannot have the good with out the bad. For Autograf the good & the bad is what Love & Retrograde comprises of; the highs and their lows of their last couple of years. You can even hear it literally as you go through dark low bass lines and high end synths and vocals between songs.
Starting the EP off with Test the Waters, a down tempo beat setting a heavy tone. In between these hypnotic instrumental breaks echoes, “Go out and Test the Waters the tide will drag you deeper than you know“, like a test of will of some kind. What will come of this darkness and confusion? The EP then jumps into Retrograde, tunneling through minimal bass sounds, giving some life with these bassline grooves, a strong positive transformation!
Getting your energy ready the Casual Love, this track breathes life into Love & Retrograde, a hopeful sound to bounce around to and chant along with. “I’m looking for people of a like mind… I’m looking for love of a casual kind“; another house anthem for Autograf. They Then get funky with Hold Me Back, giving the right attitude for living singing, “the corners no place for me babe“. Turning this EP on its head from dark to energetic sounds with strong notes, Love & Retrograde really paints a story from start to finish.
Letting their fans know it represents growth for them musically and personally, paying close attention you can hear and feel that in this EP. From the dark, minimal sounds and the doubtful lyrics in the beginning with, to vivacious house beats and groovy tunes with strong affirmations. Autograf ends it strong with Night Drive, a mix of high vibes and low techno basslines. Love & Retrograde is the perfect title for the project for what it represents.
It would be cool if a call to 411 would give you information on your favorite music artists. But digital media got us for now where we got our ears on LWKY & Inverse Universe with their latest release titled 411. A lot of talent involved in this collaboration with three heads in LWKY’s band adding two more artists with Inverse. Both compliment each others electro soul style of music.
We are introduced to Inverse Universe with this release, the duo seems to be influenced on hip hop and classic rock music mixing it with electronic bass and soul similarly to Manic Focus. Tyler Thompson and Adam Stephens add to the list of artists consistent with that sound coming out of Chicago. Paired together with LWKY on 411 they make a electro soul beat sounds orchestral. The track is so well put together between you can swear you have heard it before but it is an original, it is just that easy to listen to.
Artists may tend to change up their original style and approach to their creative expression. It is how they survive, It is in an artists nature; they are not one single idea but many out of the box projections. Manic Focus, also known as Jmac, is known to change up styles constatantly. Between hip hop, bass, and some electro funk, even a mixture of all of em may occur, Jmac got plenty of room to express himself any which way he likes. His last two releases are a good example of experimentation between songs!
The older of the two, Never Grew Up, may be what you typically hear come out of Manic sets. Some live instrument samples followed by wonky bass lines, choppy synth work and a dynamic beat pattern to a slow bpm. All creating a groovy and tranquil energy as “we never grew up” echoes repeatedly reminding us, we are in this for the fun! A sound so familiar with Manic it can probably land under its own genre.
Fans of Manic might find his latest release All This Is hard to swallow, with an introduction throwing them off to more of a house bpm structure. Following the build up however Jmac brings it back with dark metallic bass lines and chops exuding a menacing energy that would throw a crowd into a frenzy. Living an industry surrounded by all types of genres it is only right for an artist like Manic Focus to experiment and inject his madness into it all.
Many artists release a genre consistent set of music but that is not how Saladin works. His consistency is in change and most artists typically get the cold shoulder from fans for this but he has his own formula keeping his listeners captivated. From House music to Future Bass, Trap to Dubstep Saladin works it all with no hesitation, though House and Techno are rudimentary. Just within the last couple of months we got to taste his creativity in most of our favorite music styles.
Keeping it different with every release he really shows his versatility as an artist. Since the start of the year Saladin been releasing diverse and note worthy beats, even gaining support from artists like Hardwell, Morgan Page & more with tracks like his House influenced C’mon Now on Revealed Recordings. There is something to learn from every genre in production and the quality of his music shows that. This opens him up to working with diverse set of artists as well. On top of that he can always keep it fresh whether it be on the dance floor or on a playlist, Saladin can control any audience with ease.
Most recently he works with Trap, Future Bass and House music. Starting here with GNGBNGR, Saladin rides a simple melody and beat pattern while a vocal sample chimes in, “I used to be a gang banger… now I’m just a mother f*ckin’ headbanger”, into a smooth bass drop and high frequency synths. Turning that vibe around with ITSALL4U with more ambient melodies and bass-lines for his Future Bass fans. Then finally he comes back to House music with his latest, Fight For Love, featuring EDM vocalist OMZ with the hopeful lyrics, “I can’t even look you in the eye its the darkest night of my life… But baby we can fight for love tonight“. Listening to Saladin music you will feel all kinds of ways, you will catch yourself throwing elbows to jumping and dancing.
Putting a few bass heads together on a beat you should expect some madness. Kynetyk teams up with Reesebay and Cha boi to show you how that sounds like. Rippin’ sound bites of Frank Murphy from the cartoon F Is For Family adds a little emphasis on the overall mayhem. Packed with heavy growling bass lines between dark melodic breaks supporting Murphy’s tantrums. This follows We All Float, another track with Reesebay for a comeback. Keep an eye out for his next move Kynetyk got a sound you do not want to miss out on!
If you were to plan world domination, starting with music influence would be smart. RAAKMO seems to be foreshadowing; his latest collab Take Over with an artist named Gl0bal? Maybe only obvious to some. Working together last year on their track Slept On ft Malcolm Flex following the Pazuzu EP, seems they been plotting for a while, as their style certainly got heavier and production quality got cleaner. RAAKMO also worked with Porn & Chicken recently releasing Get Back. Gearing up for festival season crowds, tracks like these will cause a ruckus!
When you put two dope Chicago artists together you get gold and these two got stacks of them! Kyral x Banko have been pumping out their arsenal of bass little by little and each one gets better everytime; they all sound like anthems. Their dub-plates are heavy and clean with beat patterns and hooks influenced by hip hop and trap bass. A good composition of sound to represent their city which is raw, authentic and in your face. With some heavy Colorado roots the two have been all up and down Chicago and Denver spreading some good music and good energy.
Just to highlight a few of their releases since the start of the year we have Gold released as apart of an artist compilation EP called Alchemy, a slow but energetic track building up to their drop phrase Im Gettin Paid Bitchwhere a whole bunch of frequencies on the low end hit you. Following you got Rambo by So Down who featured Kyral x Banko and Def3 for a hip hop beat to tell it how it is. Most recently the duo released Stacks on Plenum Records with a few hooks to build up to a bass drop that hits you with the high end synths low bass and wild beat patterns ready for their adrenaline hungry fans at their next events in Colorado and adding Iowa to that list too! If you cannot catch them live follow their uploads, they hit the spot every time.