Throwback Thursday: WGN and WTTW Hijacked by Max Headroom

Introduced in 1984, Max Headroom is a fictional AI character as the Worlds 1st Computer Generated TV Host, who was portrayed by Matt Frewer; chosen for his improvisation skills. The character originally appeared in the British cyber punk film Max Headroom: 20 Minutes Into The Future, with a background story coming from a dystopian near-future dominated by television and large corporations. He was known for his wittiness and his stuttered, distorted electronic voice and was intended as a satire of disingenuous and vainglorious TV personalities. One of his creators, Rocky Morton, describes him as a “very sterile, arrogant, Western personification of the middle-class, male TV host” as well as “media-wise and gleefully disrespectful.” He would also be referenced in pop culture by directors and artists, like in Eminem portrayal in the RAP GOD music video.

On Saturday Nov. 22 1987 Max Headroom would make a reference that was all too real! During the evening hours in Chicago, at two separate times, a couple of television stations would be hijacked. At 9pm during the sports cast segment on WGN 9 News, for about 25 seconds an unknown man sporting a Max Headroom helmet and sunglasses took over the broadcast signal, fit with a rotating background. Then again around 11pm during the Doctor Who serial Horror of Fang Rock on WTTW Channel 11 he appears again this time ending with a slap to a naked puppet butt with a fly swatter. The unknown hijacker was only able to achieve this by gaining a close proximity to WGN’s transmitter located on the Hancock Tower with his own transmitter. The culprits never caught or identified.

Ever Evolved | Soundcloud | Facebook | Twitter | Instagram

I Ain’t Going: Dat Bizness Is Back With Authentic Hip Hop Style

The visual to this record has to be one of the most touching music video intros you have seen. Dat Bizness shows off his family, unafraid of presenting himself as a father, a proud black man who provides for and loves his family. He is even matching with his youngest son, AJ.

There is a lot of negativity perpetuated as a form of self expression from the experiences that young black men go through coming up in Chicago. Dat Bizness takes these experiences and flips a lyrically positive spin. He still makes it clear these are very real times to be alive and negative things are still obviously going on. With the main phrase and theme of the record being I AIN’T GOING, there is much about the surroundings and lifestyles of Chicago that Dat Bizness is rightfully against.

I AIN’T GOING presents lines that pierce the emotions and thoughts of the listener like, “Black girls going missing, times real!.. White man pulling me over while I’m behind the wheel, but I ain’t dying today, that’s what my mind wills!” Followed by “Grew up with the gods but the devils call us n***as, either or, even odds!.. Jo, this is top shelf from the basement though, this that smoking blunts in staircases flow, scarred faces, stressed thoughts, broke dreams, turn some to kings and queens, turn some to dope fiends!” Dat Bizness has been in the Chicago hip hop community for a while now but this new record and visual is elevating him quickly; reminding the rest of us to focus on the craft and the pen game first.

Dat Bizness | Youtube | Facebook

Video & Header Photo: Johnny Garcia

Ever Evolved | Soundcloud | Facebook | Twitter | Instagram

Chore Boy and Brad Kemp “Nosce” ft. CantBuyDeem (Music Video)

Chore Boy and Brad Kemp recently dropped the visual to the hit single NOSCE featuring CantBuyDeem, on their LP “STORIES YOU CAN TELL YOURSELF“. This music video, directed by Patric Coakley, is a simple but brilliant visual expression of the three rap verse song, including sound bites from what you can only postulate is Alan Watts since the timber of the voice in the audio is a popular archaic tone. Chore Boy and CantBuyDeem give so much wittiness throughout.

Chore Boy starts off with a fast tight flow and high technical skill “They just like me for the weed, they don’t like me for the rapping!” Later in the same first verse, “I leave my lid open like some stale chips and I skate by like a stale fish, you on stalemate while I nail shit, whats an earthling to an alien!” Chore Boy takes the first and last verse, giving CantBuyDeem the middle. That was only a taste of the wit Chore Boy co. has on this one record.

CantBuyDeem starts off with this line that will make you laugh everytime, “I put in 5 brought back 10, that shit felt like MAGIC!.. Hear a lot of boss talk, but they got no sauce, gotta put the packet in the ramen at the right time!” Followed up by, “Jumped off the porch like a skydive, I be smoking spliffs feeling like I’m in the ozone, standing round a room full of squares trying to phone home, trap phone, cell phone, main phone, same phone no ringtone but that bitch stay buzzin!” Can’tBuyDeem per usual, drops a verse thick and rich in humor, style and banter. His first line is significant because, think about the idea of being an entrepreneur that can flip a product and how it is like literal magic. In CantBuyDeem’s case, he puts that work in as a recording artist and gets more back. Basic simple math having to do with a sonic return on investment.

Chore Boy’s third and final verse has more density packed into it! “Took a D.A.R.E. class, but my dawg double dared me, talk isn’t scary, everyone who’s watching went from awestruck to wary. And they be taping everything like caution so carefully, I’m lost in the sauce but I’m found at the scene!” His little play on drugs and crime is interesting, it seems to be an ode to the 90s public school war on drug culture, as well as metaphors for his mind and acumen when it comes to rapping.

Brad Kemp’s production and engineering is top notch as always and really helps brush out the flavor of the recording artists he works with. We are all for more Chore Boy x CantBuyDeem records! Hip hop such as this record and visual are vital to the life line of the culture. If you can get anyone to bump, dance and think. Well then you have done your part.

Choreboy | Soundcloud | Twitter | Facebook | Instagram

CantBuyDeem | Soundcloud | Twitter | Facebook | Instagram | Youtube

Ever Evolved | Soundcloud | Facebook | Twitter | Instagram

Throwback Thursday: Igor Stravinsky’s “Symphony In C” Premieres in Chicago.

Today in 1940 on the 7th of November Igor Stravinsky had his famous SYMPHONY IN C premiered by the Chicago Symphony Orchestra at Orchestra Hall.

Igor Stravinsky, born June 18th 1882 in Oranienbaum, Russia and died on April 6th, 1971 New York City. Stravinsky’s recognition first arrived because of his ballet scores such as PETRUSHKA, THE FIREBIRD and RITE OF SPRING. But in 1920 he took up composing orchestras, namely “SYMPHONIES OF WIND INSTRUMENTS” and was later commissioned (reportedly $2,500) by Mr. and Mrs. Robert Woods Bliss and Mr. John Alden Carpenter to commemorate the 50th anniversary of the Chicago Symphony Orchestra during the 1940-41 season.

SYMPHONY IN C consists of three flutes and a piccolo, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones and tuba, timpani, and strings. Performance time is approximately twenty-eight minutes. During the time of its composition Stravinsky went through the most horrific times of his life. His daughter Ludmilla passed away from Tuberculosis, his wife Catherine and his mother also passed on from tuberculosis within three months that same year. To say that SYMPHONY IN C was the only thing keeping Igor Stravinsky alive and composing during that period, is no exaggeration.

Ever Evolved | Twitter | Facebook | Soundcloud | Instagram

Artist of the Week: Relic The Bully Gets Busy with ‘Fiend’

Relic The Bully is an artist who has been on our radar for a minute. An MC who has bars for days and a delivery full of conviction to go with it, it is long felt that it was only a matter of time before he starts getting the recognition that he deserves. With his new single FIEND, Relic is now one step closer to making that come to fruition.

The production on FIEND is incredibly moody. The synths are dark and nocturnal, the production forceful and bouncy. There is also an element of spaciness to this instrumental that allows Relic the room he needs to do his thing. Lyrically, Relic gets busy on this track, his rhyme patterns are absolutely insane as he exudes much confidence on the mic. His voice is sharp and his flow is a gun busting slugs at a rapid fire pace.

For Relic The Bully, the world is his oyster. On FIEND he proves his worthiness as one of the crown jewels of the Chicago underground. Few hip-hop artists possess the combination of raw lyricism, rapid-fire flow and the amount of confidence Relic has. For this reason, it would be wise to not stand in his way.

FIEND is now available on all platforms.

Relic The Bully | Spotify | Twitter | Facebook | Instagram

Ever Evolved Twitter | Facebook | Soundcloud | Instagram

Throwback Thursday: When Chicago Ruled Baseball

It would be 1906 when Chicago gets their first play in the World Series of baseball. It is Chicago’s game in every sense of the word since the teams versing each other are exclusive to the city. The Chicago Cubs and the Chicago White Sox face off in what is a first championship series for both teams. What would end with the White Sox defeating the Cubs in game 6, would start a cross town rivalry unmatched by any other!

There are a few more significances to this game aside from being our cities first championship. For the Cubs it will be the first of 3 games in a row and while the White Sox returned later in 1917, the Cubs fail to win the championship, famously, for well over 100 years. During the series, the first 5 games of, for the first time had the road team take the win. This would not be duplicated again until 1996, exactly 90 years later. Finally, being early in the baseball history, the games were held at both West Side Grounds and South Side Park, before Wrigley Field and Comiskey Park became home to each team.

West Side Grounds

Ever Evolved Twitter | Facebook | Soundcloud | Instagram

MoneyCantBuyU: CantBuyDeem’s 2 Year Showcase Anniversary

CantBuyDeem wrapped up two years of throwing showcases for the hip hop community at Cole’s Bar in Chicago’s Logan Square neighborhood just last Saturday. He booked Ever Evolved contemporary J-Bose who began the night with a live 3 song set from his debut LP SNOWFLAKE (streaming everywhere, highly recommend). After J-Bose we got a few joints from CantBuyDeem, one from his LP CHILI that he dropped in May of this year, OPTIONS and a newer track called “PAYMETHO“.

CantBuyDeem booked a high energy trio straight out of Elgin, Illinois called Watch City. They brought an amazing live performance and it is recommend to check out their music and social medias. One of their emcees Angrous does a weekly song release and performance via his Facebook and Instagram. CantBuyDeem’s two year anniversary show saw Dre Skeezus on the 1’s and 2’s. Skeezus is also producing a mix tape for CantBuyDeem coming soon. The songstress Laje and a performance from Cado San and more!

Congratulations to CantBuyDeem for continuing to show out and support the Chicago hip hop scene with his generous curation. We look forward to more endeavors out of the MoneyCantBuyU camp!

CantBuyDeem | Soundcloud | Twitter | Facebook | Instagram | Youtube

Ever Evolved | Twitter | Facebook | Soundcloud | Instagram

Throwback Thursday: Da Bears Play First NFL Game As Decatur Staley’s

The organization that well all know today as the Chicago Bears first starts out as one of the first official teams of the NFL. However neither the NFL or the Bears were known as such at the time. The team was originally conceived by the A. E. Staley food starch company in Decatur, Illinois as a company team. The company hired George Halas and Edward “Dutch” Sternaman in 1920 to run the team, turning over full control to them in 1921.

On September 17, 1920, representatives from 13 teams, including Halas team reps, met in Canton, Ohio to create a new football league. The intention was to “raise the standard of professional football in every way possible.” In regards to ticket sales, crowning a yearly champion, scheduling and eliminating bidding of players between rival teams, they decided to form the American Professional Football Association. Consisting of 14 teams, the Decatur Staleys (now Chicago Bears) and the Chicago Cardinals (now Arizona Cardinals) are the only remaining original teams from the APFA.

On October 3, 1920 the Decatur Staley’s begin to play for their first official league game, taking on the Moline Univeral Tractors followed by the Kewanee Walworths. However since these first two teams were non APFA, the Staley’s first league game is attributed to their win against the Rock Island Independants, an official APFA team, on Oct. 17. In 1921, A. E. Staley recognized the potential of the Staley’s and moved them to Chicago to play in Wrigley Field for larger audiences. At the end of the 1921-22 season, the team decided to change their names. Since playing in the same field as the Cubs they argued, tongue in cheek, that football players were much larger and appropriately named the team Chicago Bears. On June 24, 1922 the APFA changed its name to the National Football Association.

Ever Evolved | Twitter | Facebook | Soundcloud | Instagram

Woman Crush Wednesday: Isabel Bravo

Imagine that Salvador Dali and Frida Khalo have a brain child and the personification of that image is a Chicago native, Isabel Bravo. Currently a student at Harold Washington College, Isabel is a multifaceted artist with experience in animation, photography, performing and visual arts. If you can name it, she’s probably done it. At age 20, she has already been director of art festivals and has had her art exhibited in the Flatiron Art Center in Wicker Park. The majority of her visual arts work has been by commission, however as of recent months she’s been taking those first steps, to present her own unique ideas and style to the masses. 

Although she started creating art as a child, her pursuit of a degree in art therapy and her art career both began at the same time. Isabel self discovered the positive effects of art therapy as a method of coping with her depression, which she also attributes to her start as a serious artist. It was during a month long stay in a hospital during her 16th year. What started as a way to combat the boredom that comes prepackaged with hospital stays, became a therapeutic yet challenging leap into a world, where she was forced to confront her self and her perception of herself through art. It was this month that helped produce the expressive surrealism that is heavily present in Isabel’s personal artwork.

With self portraits making up the majority of her non-commissioned art, it makes sense that the main influences on her style comes from Peter Paul Ruben, a renowned portrait artist of his time. The goal of her art is to present and share an idea, message or story that draws the viewer into the visuals and cause them to ponder; who they are, what they’re here for, even where they’ve been? Hers is an increasingly successful attempt to represent those hidden emotions we often dismiss, through artistic mediums. Are you up to the challenge her artwork presents?

Isabel Bravo | Instagram | Facebook

Ever Evolved | Soundcloud | Facebook | Twitter | Instagram

Throwback Thursday: Radcliff Music’s Drops Get Around

June 25th 2018, Anthony Radcliff aka Radcliff Music, dropped the visual to his single GET AROUND. This is a significant project from Radcliff because it’s good to see the veteran free styler spit bars in Central Park! The string of rhymes that stand out the most is, “You n***as phony, finesse the system looking like a fraud, and I’m just in there, we ain’t sipping tea like the frog, no kermit, you could play the bench like McDermott!” If you’re not familiar with Radcliff Music, start with this visual and then go through his catalog! He has quite a lot of work with over seven tapes of music fully distributed and much performance footage and music videos to be found on his YouTube channel.

Radcliff | Soundcloud Facebook | Twitter 

Ever Evolved | Twitter | Facebook | Soundcloud | Instagram